A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
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| Directing | Karel Reisz | Director |
| Writing | Clive Exton | Screenplay |
| Writing | Melvyn Bragg | Adaptation |
| Writing | Melvyn Bragg | Screenplay |
| Sound | Maurice Askew | Sound |
| Production | Miriam Brickman | Casting |
| Sound | Maurice Jarre | Conductor |
| Art | Bryan Graves | Set Dresser |
| Art | Harry Cordwell | Set Dresser |
| Art | Jocelyn Herbert | Production Design |
| Camera | Léo Mirkine | Still Photographer |
| Sound | Lionel Strutt | Sound Re-Recording Mixer |
| Costume & Make-Up | Biddy Chrystal | Hairstylist |
| Crew | Isadora Duncan | Thanks |
| Costume & Make-Up | Wally Schneiderman | Makeup Department Head |
| Costume & Make-Up | Olga Angelinetta | Hairstylist |
| Editing | Tom Priestley | Editor |
| Production | Raymond Hakim | Producer |
| Writing | Sewell Stokes | Book |
| Sound | Anthony Bowles | Original Music Composer |
| Writing | Isadora Duncan | Book |
| Camera | Larry Pizer | Director of Photography |
| Editing | Philip Baker | Assistant Editor |
| Camera | Dennis C. Lewiston | Camera Operator |
| Sound | Maurice Jarre | Original Music Composer |
| Directing | Claude Watson | Assistant Director |
| Crew | Litz Pisk | Choreographer |
| Sound | Terry Rawlings | Sound Editor |
| Art | Michael Seymour | Art Direction |
| Production | Robert Hakim | Producer |
| Production | Eric Rattray | Production Manager |
| Production | Roy Parkinson | Production Supervisor |
| Art | Miso Senecic | Art Direction |
| Sound | Ken Ritchie | Sound |
| Costume & Make-Up | Rebecca Breed | Wardrobe Master |
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