The body of a young actress is brought to her home town by the man who loved her. He knows that she wanted all the church bells to ring for three days after she was buried, but is told that this will cost a lot of money. The checks that he writes to the various churches all bounce, but it is the weekend and, in desperation, he prays that a miracle will happen before the banks reopen. It does, but not in the way he hoped.
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Directing | Irving Pichel | Director |
Writing | Ben Hecht | Screenplay |
Writing | Quentin Reynolds | Screenplay |
Sound | Jule Styne | Songs |
Writing | Sammy Cahn | Lyricist |
Production | Fred Fleck | Production Manager |
Costume & Make-Up | Karl Herlinger | Makeup Artist |
Camera | Charles Burke | Camera Operator |
Costume & Make-Up | Annabell Levy | Hairstylist |
Camera | Ralph Wildman | Grip |
Writing | Russell Janney | Novel |
Crew | DeWitt Bodeen | Additional Dialogue |
Production | Jesse Lasky Jr. | Producer |
Production | Walter MacEwen | Producer |
Sound | Leigh Harline | Original Music Composer |
Camera | Robert De Grasse | Director of Photography |
Editing | Elmo Williams | Editor |
Art | Ralph Berger | Art Direction |
Art | Albert S. D'Agostino | Art Direction |
Art | Harley Miller | Set Decoration |
Art | Darrell Silvera | Set Decoration |
Costume & Make-Up | Gordon Bau | Makeup Supervisor |
Directing | Harry D'Arcy | Assistant Director |
Sound | Philip Mitchell | Sound |
Sound | Clem Portman | Sound |
Crew | Russell A. Cully | Special Effects |
Crew | Clifford Stine | Special Effects |
Camera | Rod Tolmie | Still Photographer |
Costume & Make-Up | Renié | Costume Design |
Sound | C. Bakaleinikoff | Music Director |
Directing | Julia Marcia Davies | Script Supervisor |
Directing | Joan Davis | Script Supervisor |
Crew | Charles O'Curran | Choreographer |
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