When someone tries to murder watchmaker Eddy Kay, the incident triggers a barrage of nightmares and flashbacks into a past that isn't his own. Fearing for his sanity, Eddy contacts psychiatrist Dr. Anna Nolmar for help. Anna thinks he's hallucinating until another attack proves the dangers are all too real. The two of them go on the run, trying to discover the truth about Eddie's past and true identity before it kills them.
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| Directing | Avi Nesher | Director |
| Crew | Keith Campbell | Stunts |
| Art | Robert E. Lee | Construction Coordinator |
| Art | Robert Lee | Art Direction |
| Production | Raffaella De Laurentiis | Executive Producer |
| Writing | Avi Nesher | Writer |
| Costume & Make-Up | Nina Kraft | Hair Supervisor |
| Sound | Adam Milo Smalley | Music Editor |
| Crew | Paul Baxley | Stunt Coordinator |
| Production | Hester Hargett | Associate Producer |
| Production | Joseph C. Cavalier | Unit Production Manager |
| Crew | Uzi Gal | Martial Arts Choreographer |
| Costume & Make-Up | Shari Griffin | Wardrobe Supervisor |
| Sound | Suzie Katayama | Music Coordinator |
| Directing | John Wildermuth | Second Assistant Director |
| Editing | Carlos Puente | Assistant Editor |
| Art | Yuda Ako | Set Decoration |
| Costume & Make-Up | Jemma Scarisbrick | Set Costumer |
| Sound | Stephen Bushelman | Sound Editor |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Sound | Robert J. Anderson Jr. | Sound Mixer |
| Sound | Sam F. Shaw | Sound Editor |
| Production | Andrew G. La Marca | Line Producer |
| Crew | Zsuzsa Cziraky | Dialogue Coach |
| Crew | Greg Landerer | Special Effects Coordinator |
| Sound | Jerry Stanford | Sound Editor |
| Production | Mike Petzold | Co-Producer |
| Costume & Make-Up | Jill M. Ohanneson | Costume Designer |
| Camera | Anthony B. Richmond | Director of Photography |
| Sound | David Pettijohn | Sound Editor |
| Sound | Diane Livingston | Assistant Sound Editor |
| Art | Curtis A. Schnell | Production Design |
| Crew | Mark Zarate | Special Effects |
| Sound | Bill Meyers | Orchestrator |
| Directing | Artist W. Robinson | First Assistant Director |
| Visual Effects | Richard Malzahn | Visual Effects Supervisor |
| Sound | Greg Plotts | Assistant Sound Editor |
| Sound | Patrick Leonard | Music |
| Production | Craig Campobasso | Casting |
| Editing | Christopher Notarthomas | First Assistant Editor |
| Art | Archie D'Amico | Set Decoration |
| Costume & Make-Up | Todd Masters | Special Effects Makeup Artist |
| Production | Rhonda Baer | Location Manager |
| Directing | Annie Welles | Script Supervisor |
| Sound | Thomas Gerard | Sound Re-Recording Mixer |
| Crew | Greg Landerer | Pyrotechnician |
| Sound | Mark Ormandy | Sound Editor |
| Sound | Gaston Biraben | Sound Editor |
| Production | Kristin Smith | Production Coordinator |
| Art | Greg Pruss | Production Design |
| Editing | Elaine Moritz | Assistant Editor |
| Sound | Michael C. Casper | Sound Re-Recording Mixer |
| Sound | Jerry Jordan | Scoring Mixer |
| Editing | Isaac Sehayek | Editor |
| Costume & Make-Up | Nina Kraft | Makeup Supervisor |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Sound | Robert Waxman | Sound Editor |
| Crew | Mary Albee | Stunts |
| Crew | Cindy Folkerson | Stunts |
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