In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its combat services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling Navy SEAL training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.
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| Directing | Ridley Scott | Director |
| Camera | Hugh Johnson | Director of Photography |
| Production | Ridley Scott | Producer |
| Production | Demi Moore | Producer |
| Production | Suzanne Todd | Producer |
| Production | Roger Birnbaum | Producer |
| Sound | Trevor Jones | Original Music Composer |
| Writing | David Twohy | Screenplay |
| Writing | Danielle Alexandra | Screenplay |
| Editing | Pietro Scalia | Editor |
| Production | Louis DiGiaimo | Casting |
| Art | Richard L. Johnson | Art Direction |
| Costume & Make-Up | Marilyn Vance | Costume Design |
| Art | Cindy Carr | Set Decoration |
| Camera | Gerrit Garretsen | Second Company Grip |
| Crew | Frank Moorefield | Set Medic |
| Production | Ned Dowd | Head of Production |
| Crew | Harry Humphries | Technical Advisor |
| Art | William Hiney | Supervising Art Director |
| Crew | David Paris | Aerial Coordinator |
| Costume & Make-Up | David Rawley | Costume Supervisor |
| Costume & Make-Up | Cheri Minns | Key Makeup Artist |
| Sound | Keith A. Wester | Production Sound Mixer |
| Art | Eric J. Bates | Property Master |
| Lighting | Chuck Finch | Gaffer |
| Production | Daneen Conroy | Production Supervisor |
| Directing | J. David Brightbill | Second Assistant Director |
| Directing | Christopher Surgent | Second Assistant Director |
| Art | Dan Pemberton | Construction Coordinator |
| Crew | Steve Galich | Special Effects Coordinator |
| Camera | Phil Bray | Still Photographer |
| Camera | Tony Rivetti Jr. | First Assistant Camera |
| Camera | Fred L. McLane | First Assistant Camera |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Camera | David Brink | Second Assistant Camera |
| Sound | Timothy P. Salmon | Boom Operator |
| Crew | Richard Scarpone | Video Assist Operator |
| Editing | Pamela Power | Additional Editor |
| Editing | Chris Innis | Associate Editor |
| Editing | Chisako Yokoyama | Assistant Editor |
| Editing | Paul Elman | Assistant Editor |
| Editing | Tristan Mullane | Assistant Editor |
| Sound | Campbell Askew | Supervising Sound Editor |
| Sound | John Cochrane | Dialogue Editor |
| Sound | Robert Gavin | ADR Editor |
| Sound | Jeremy Child | Sound Editor |
| Sound | John Ireland | Foley Editor |
| Sound | Andrew Glen | Music Editor |
| Sound | Derek Lomas | Assistant Sound Editor |
| Sound | Sarah Dane | Assistant Sound Editor |
| Sound | Adrian Trent | Assistant Sound Editor |
| Sound | Ray Merrin | Sound Re-Recording Mixer |
| Sound | Graham Daniel | Sound Re-Recording Mixer |
| Production | Amy Taft | Production Coordinator |
| Production | Shari Leibowitz | Production Coordinator |
| Production | Catherine Schwenn | Assistant Production Coordinator |
| Crew | Michael Solinger | Post Production Supervisor |
| Production | Gary Gillingham | Production Accountant |
| Production | Rick Baer | First Assistant Accountant |
| Production | Rob Meisenholder | Assistant Accountant |
| Production | Chris McComb | Assistant Accountant |
| Production | Sarah Millar | Assistant Accountant |
| Crew | Mark Hunter Reinking | Actor's Assistant |
| Production | Clare St. John | Production Coordinator |
| Production | Allison Sherman | Production Coordinator |
| Production | Billy Dowd | Extras Casting |
| Art | Bill Taliaferro | Assistant Art Director |
| Art | Thomas Minton | Set Designer |
| Art | Jon Danniells | Leadman |
| Costume & Make-Up | Chuck Askerneese | On Set Dresser |
| Crew | Jeff Frink | Special Effects |
| Crew | Ray Svedin | Special Effects |
| Crew | Phillip Beck Jr. | Special Effects |
| Crew | Morgan Guynes | Special Effects |
| Crew | Chris Brenczewski | Special Effects |
| Crew | Ken Gorrell | Special Effects |
| Crew | Allen Richardson | Special Effects |
| Crew | Jeff Sparks | Special Effects |
| Costume & Make-Up | Joe McCloskey | Key Costumer |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Costume & Make-Up | Rodger Jacobs | Makeup Artist |
| Costume & Make-Up | Kylie Bell | Assistant Makeup Artist |
| Costume & Make-Up | Dorothy D. Fox | Key Hair Stylist |
| Camera | W.C. 'Chunky' Huse | Key Grip |
| Camera | Daniel R. Haizlip | Best Boy Grip |
| Camera | Scott W. Leftridge | Grip |
| Camera | Sean Finnegan | Grip |
| Camera | Frank Ryan | Grip |
| Camera | Andrew Taylor | Grip |
| Camera | Rick Uva | Grip |
| Camera | Edward 'Gooch' Gutierrez | Grip |
| Camera | Kevin Jackson | Grip |
| Lighting | Steve Owen | Key Rigging Grip |
| Lighting | Craig Ligget | Rigging Gaffer |
| Lighting | Steven Litecky | Best Boy Electric |
| Lighting | Andrew Reed Conner | Electrician |
| Lighting | Bill Fiedler | Electrician |
| Lighting | Michael Goldman | Electrician |
| Lighting | Stuart Bicknell | Electrician |
| Lighting | Todd Ranson | Electrician |
| Lighting | Robert Spencer | Electrician |
| Crew | Adam Collins | Set Production Assistant |
| Crew | Kelly Wroe | Stand In |
| Crew | Terry J. Erdmann | Unit Publicist |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Crew | Lee Garibaldi | Transportation Captain |
| Crew | Craig Glaser | Craft Service |
| Directing | Hugh Johnson | Second Unit Director |
| Production | Carol Flaisher | Location Manager |
| Crew | Karyn V. Cody | Technical Advisor |
| Lighting | Chris Walters | Rigging Gaffer |
| Lighting | Lee Shapira | Key Rigging Grip |
| Art | Rob Simons | Assistant Art Director |
| Art | Ron Breedlove | Construction Manager |
| Crew | Gilbert Young | Transportation Captain |
| Production | Mary Morgan | Location Manager |
| Crew | Danny Mortenson | Transportation Captain |
| Production | John McSweeney | Assistant Location Manager |
| Crew | Gene R. Johnson | Transportation Coordinator |
| Crew | Robert W. Simpson | Transportation Captain |
| Production | Donald Heitzer | Production Manager |
| Sound | Victoria Seale | Music Coordinator |
| Sound | Kathy Nelson | Music Supervisor |
| Sound | Alex Marcou | Music Editor |
| Crew | Peter Cobbin | Additional Music |
| Sound | Paul Clarvis | Musician |
| Sound | Clem Clempson | Musician |
| Sound | Charlie Morgan | Musician |
| Sound | Phil Todd | Musician |
| Editing | Jason Wheeler | Negative Cutter |
| Editing | Paul Ensby | Color Timer |
| Production | Deirdre de Tappan | Production Coordinator |
| Production | Marisa Johnston | Post Production Coordinator |
| Production | Ken Haber | Location Manager |
| Production | Errol Reichow | Location Manager |
| Directing | Marion Tumen | Script Supervisor |
| Costume & Make-Up | Cheryl Markowitz | Key Makeup Artist |
| Costume & Make-Up | Ed Fincher | Costume Supervisor |
| Camera | Dan Mindel | Second Unit Director of Photography |
| Camera | William McConnell | First Assistant Camera |
| Camera | John Skotchdopole | First Assistant Camera |
| Sound | David M. Ronne | Sound Mixer |
| Sound | Jules Strasser | Boom Operator |
| Lighting | Jeff Sondberg | Best Boy Electric |
| Camera | Gary Kangrga | Key Grip |
| Art | Virginia Randolph-Weaver | Art Direction |
| Art | Allan Gordon | Property Master |
| Crew | Russell McEntyre | Transportation Coordinator |
| Costume & Make-Up | Diana Acrey | Key Hair Stylist |
| Crew | Phil Neilson | Stunt Coordinator |
| Crew | Scott Helvenston | Utility Stunts |
| Crew | Duffy Gaver | Utility Stunts |
| Crew | Mark Lonsdale | Utility Stunts |
| Crew | Steve Bolan | Utility Stunts |
| Crew | G. Peter King | Utility Stunts |
| Crew | Leigh Hennessy | Stunt Double |
| Crew | Keith Woulard | Stunt Double |
| Crew | Darrin Prescott | Stunts |
| Crew | Chris Soule | Stunts |
| Crew | Charles Grisham | Stunts |
| Crew | Brian Finn | Stunts |
| Crew | Hash Shallan | Stunts |
| Crew | Cinda-Lin James | Stunt Double |
| Writing | Danielle Alexandra | Story |
| Production | Danielle Alexandra | Executive Producer |
| Production | Julie Bergman Sender | Executive Producer |
| Production | Chris Zarpas | Executive Producer |
| Production | Nigel Wooll | Co-Producer |
| Production | Terry Needham | Associate Producer |
| Production | Diane Minter Lewis | Associate Producer |
| Production | Tim McBride | Associate Producer |
| Production | Michele Imperato Stabile | Unit Production Manager |
| Production | Nigel Wooll | Unit Production Manager |
| Directing | Terry Needham | First Assistant Director |
| Directing | Darin Rivetti | Second Assistant Director |
| Directing | Adam Somner | Second Assistant Director |
| Directing | Luca Kouimelis | Script Supervisor |
| Camera | Craig Haagensen | Camera Operator |
| Camera | Terry Bowen | Camera Operator |
| Crew | Andy Birmingham | Production Controller |
| Production | Brett Goldstein | Casting |
| Art | Arthur Max | Production Design |
| Sound | Trevor Jones | Orchestrator |
| Sound | Nick Ingman | Orchestrator |
| Sound | Geoff Alexander | Orchestrator |
| Sound | Julian Kershaw | Orchestrator |
| Sound | Gavyn Wright | Conductor |
| Sound | Belinda Sykes | Vocals |
| Crew | Gretchen Husting | Production Intern |
| Crew | Nicole Fleit | Production Intern |
| Crew | Blake Schultz | Production Intern |
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