In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
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| Directing | Robert Carsen | Stage Director |
| Costume & Make-Up | Brigitte Reiffenstuel | Costume Design |
| Crew | Philippe Giraudeau | Choreographer |
| Sound | Sebastian Weigle | Conductor |
| Sound | Richard Strauss | Music |
| Sound | John Bowen | Sound Editor |
| Costume & Make-Up | Elissa T. Iberti | Wardrobe Master |
| Costume & Make-Up | William Malloy | Wardrobe Supervisor |
| Costume & Make-Up | Tom Watson | Makeup & Hair |
| Directing | Gary Halvorson | Director |
| Costume & Make-Up | Sylvia Nolan | Wardrobe Designer |
| Sound | Ken Hahn | Sound Mixer |
| Writing | Hugo von Hofmannsthal | Writer |
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