Frankie McGuire, one of the IRA's deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.
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Art | Leslie Bloom | Set Decoration |
Editing | Dennis Virkler | Editor |
Sound | James Horner | Original Music Composer |
Art | Bernie Pollack | Set Decoration |
Camera | Gordon Willis | Director of Photography |
Art | Robert Guerra | Art Direction |
Production | Robert F. Colesberry | Producer |
Editing | Tom Rolf | Editor |
Production | Lawrence Gordon | Producer |
Production | Donald Laventhall | Executive Producer |
Production | Lloyd Levin | Executive Producer |
Production | Alixe Gordin | Casting |
Art | Jane Musky | Production Design |
Directing | Alan J. Pakula | Director |
Crew | Stuart Clark | Utility Stunts |
Costume & Make-Up | Bernie Pollack | Costume Design |
Crew | Richard L. Blackwell | Stunts |
Crew | Tim Gallin | Stunts |
Crew | Brian Smyj | Stunts |
Production | Karen L. Thorson | Associate Producer |
Crew | Keith Campbell | Stunts |
Crew | Bob Marrocco | Stunts |
Crew | Philippe Zone | Stunts |
Costume & Make-Up | Jean Ann Black | Hairstylist |
Costume & Make-Up | Martina McCarthy | Hairstylist |
Crew | Roy Farfel | Stunts |
Costume & Make-Up | Michael Laudati | Makeup Artist |
Crew | Eddie Matthews | Stunts |
Crew | Daniel W. Barringer | Stunt Double |
Costume & Make-Up | Ken Jennings | Makeup Artist |
Crew | Dan Bradley | Stunts |
Crew | John Alden | Stunt Double |
Crew | Michael R. Long | Stunt Driver |
Costume & Make-Up | Rosie Blackmore | Makeup Artist |
Costume & Make-Up | Aaron F. Quarles | Hairstylist |
Crew | Martin White | Stunts |
Costume & Make-Up | Anne Dunne | Hairstylist |
Costume & Make-Up | Peggy Schierholz | Hairstylist |
Crew | Dominick Hewitt | Stunts |
Costume & Make-Up | Jean Ann Black | Makeup Artist |
Directing | Peter Kohn | First Assistant Director |
Crew | Scott Wilder | Stunt Double |
Crew | Donal O'Farrell | Stunts |
Crew | Mick O'Rourke | Stunts |
Sound | Lee Dichter | Sound Re-Recording Mixer |
Camera | Ken Regan | Still Photographer |
Directing | John Rusk | Second Assistant Director |
Crew | Jim Wilkey | Stunts |
Lighting | Michael Proscia Jr. | Gaffer |
Sound | Ron Bochar | Supervising Sound Editor |
Crew | Edward Wiesenhaan | Special Effects |
Crew | Harry Wiesenhaan | Special Effects |
Lighting | Terry Mulligan | Gaffer |
Directing | Robin Squibb | Script Supervisor |
Lighting | Louis Conroy | Gaffer |
Camera | Gary Capo | Second Unit Director of Photography |
Writing | David Aaron Cohen | Screenplay |
Writing | Kevin Jarre | Screenplay |
Writing | Vincent Patrick | Screenplay |
Directing | David R. Ellis | Second Unit Director |
Crew | Eliza Coleman | Stunts |
Crew | Doug Coleman | Stunt Coordinator |
Writing | Kevin Jarre | Story |
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