Three delinquents murder a prosperous farmer at an isolated farm house. One witness to the crime - the dead man's secretary - is then taken hostage. The other witness - her young son - is thrown into state of shock. Can he recover soon enough to help the police - and his father - rescue his mother before it's too late?
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Directing | William Asher | Director |
Writing | John Hawkins | Story |
Writing | Ward Hawkins | Story |
Production | Jonie Taps | Producer |
Sound | George Duning | Original Music Composer |
Camera | Frank G. Carson | Director of Photography |
Sound | Morris Stoloff | Conductor |
Art | Robert Peterson | Art Direction |
Editing | William A. Lyon | Editor |
Art | William Kiernan | Set Decoration |
Art | Robert Priestley | Set Decoration |
Directing | Irving J. Moore | Assistant Director |
Sound | Lambert E. Day | Sound |
Sound | Arthur Morton | Orchestrator |
Writing | Leo Townsend | Screenplay |
Writing | David P. Harmon | Screenplay |
Directing | John Gaudioso | Assistant Director |
Costume & Make-Up | Hazel Keats | Hairstylist |
Art | Charles Granucci | Props |
Art | Harold Pann | Leadman |
Sound | Noel Bartlett | Sound Recordist |
Sound | Carl Miller | Other |
Camera | Al Becker | Grip |
Camera | Bob Coburn Jr. | Still Photographer |
Lighting | Harold Hansen | Best Boy Electrician |
Camera | George Le Picard | Assistant Camera |
Camera | Val O'Malley | Camera Operator |
Directing | Charlsie Bryant | Script Supervisor |
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