A rich millionaire hires a sophisticated journalist to bring his somewhat dim-witted girlfriend up to the level of his peers. He fears that the showgirl's lack of etiquette may damage his own social reputation and tries to change her — but fails to realise that her enhanced eloquence will empower her to voice her own strong opinions.
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Costume & Make-Up | Colleen Atwood | Costume Design |
Directing | Luis Mandoki | Director |
Writing | Douglas McGrath | Screenplay |
Writing | Garson Kanin | Theatre Play |
Production | Chris Soldo | Associate Producer |
Production | Stephen Traxler | Co-Producer |
Crew | Eddie Lee Voelker | Transportation Coordinator |
Sound | Joe Dorn | Supervising ADR Editor |
Sound | Charleen Richards-Steeves | ADR Mixer |
Crew | Aaron Michael Lacey | Stunts |
Crew | Fred Apolito | Propmaker |
Directing | Richard Patrick | Second Assistant Director |
Camera | Melinda Sue Gordon | Still Photographer |
Costume & Make-Up | Gregory B. Peña | Set Costumer |
Editing | Theresa Repola Mohammed | Negative Cutter |
Costume & Make-Up | Shirley Dolle | Key Hair Stylist |
Art | Bruce Crone | Art Direction |
Production | D. Constantine Conte | Producer |
Production | Stratton Leopold | Executive Producer |
Production | Cathy Sandrich Gelfond | Casting |
Sound | George Fenton | Original Music Composer |
Costume & Make-Up | Fred C. Blau Jr. | Key Makeup Artist |
Costume & Make-Up | Naomi Donne | Makeup Artist |
Costume & Make-Up | Nadege Schoenfeld | Makeup Artist |
Camera | Lajos Koltai | Director of Photography |
Production | Amanda Mackey | Casting |
Art | Lawrence G. Paull | Production Design |
Costume & Make-Up | Kevin Haney | Makeup Artist |
Costume & Make-Up | Nick Troiano | Hairstylist |
Editing | Lesley Walker | Editor |
Art | Rick Simpson | Set Decoration |
Costume & Make-Up | Jay Cannistraci | Makeup Artist |
Costume & Make-Up | Alan D'Angerio | Hair Department Head |
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