Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
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Directing | Agnieszka Holland | Director |
Art | Michael Davis | Construction Coordinator |
Crew | Christine Anne Baur | Stunts |
Production | Julie Bergman Sender | Producer |
Production | Roger Birnbaum | Producer |
Camera | Jerzy Zieliński | Director of Photography |
Editing | David Siegel | Editor |
Production | Debra Zane | Casting |
Art | Allan Starski | Production Design |
Art | Alan E. Muraoka | Art Direction |
Art | William A. Cimino | Set Decoration |
Costume & Make-Up | Anna B. Sheppard | Costume Design |
Directing | Alice Tompkins | Script Supervisor |
Art | Ellen Sara Popiel | Art Department Coordinator |
Production | John Strawbridge | Casting Associate |
Costume & Make-Up | Morgan Elliott | Assistant Costume Designer |
Costume & Make-Up | Mark Burchard | Costume Supervisor |
Costume & Make-Up | Michael O'Conner | Costume Supervisor |
Costume & Make-Up | Thomas F. Timlin Jr. | Set Costumer |
Costume & Make-Up | Martha R. Timlin | Set Costumer |
Sound | Christopher Kennedy | Music Editor |
Sound | Andy Hill | Music Supervisor |
Crew | Elizabeth Aldrich | Choreographer |
Directing | Carol DePasquale | Script Supervisor |
Costume & Make-Up | Aaron F. Quarles | Hairstylist |
Costume & Make-Up | Wayne Herndon | Key Hair Stylist |
Costume & Make-Up | Barbara Lacy | Makeup Artist |
Costume & Make-Up | Micheline Trépanier | Makeup Artist |
Sound | Catherine Harper | Foley |
Sound | Ossama Khuluki | Foley |
Sound | Javier Bennassar | Sound Effects Editor |
Sound | David Melhase | Sound Effects Editor |
Sound | Derek Marcil | Sound Re-Recording Mixer |
Sound | John Ross | Sound Re-Recording Mixer |
Sound | Frank Gaeta | Supervising Sound Editor |
Camera | Richard Merryman | Camera Operator |
Lighting | Vojislav Mikulic | Gaffer |
Camera | Jim McConkey | Steadicam Operator |
Camera | Ronald Batzdorff | Still Photographer |
Camera | Joseph E. Gallagher | First Assistant Camera |
Lighting | Rodney French | Rigging Grip |
Editing | Mark L. Levine | First Assistant Editor |
Crew | Douglas Retzler | Special Effects Coordinator |
Visual Effects | Christian Guillon | Visual Effects Producer |
Visual Effects | Pascal Charpentier | Visual Effects Supervisor |
Writing | Henry James | Novel |
Crew | Jeff Ward | Stunt Coordinator |
Production | Chrisann Verges | Unit Production Manager |
Directing | J. Miller Tobin | First Assistant Director |
Directing | Mary-Jane April | Second Assistant Director |
Production | Chrisann Verges | Associate Producer |
Production | Randy Ostrow | Executive Producer |
Sound | Michael Ferdie | Dialogue Editor |
Art | Stephen B. Walker | Property Master |
Art | Lorraine Walker | Property Master |
Sound | Marilyn Graf | Dialogue Editor |
Sound | Robert Jackson | Dialogue Editor |
Sound | Thomas Jones | Dialogue Editor |
Sound | David Grant | Supervising Dialogue Editor |
Sound | Susan Shin | Dialogue Editor |
Sound | Tim Boggs | Supervising ADR Editor |
Sound | Jan A. P. Kaczmarek | Original Music Composer |
Writing | Carol Doyle | Screenplay |
Sound | Patrick Giraudi | Additional Sound Re-Recording Mixer |
Sound | Joseph F. Brennan | Boom Operator |
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