Set in the 1980s, an estranged family hires a cult deprogrammer to take back their teenage son from a murderous cult, but find themselves under siege when the cultists surround their cabin, demanding the boy back.
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| Sound | Anton Sanko | Original Music Composer |
| Directing | Kevin Greutert | Director |
| Writing | Jared Rivet | Writer |
| Production | Tommy Alastra | Producer |
| Editing | John Coniglio | Editor |
| Editing | Kevin Greutert | Editor |
| Directing | Heidi Hinzman | Second Assistant Director |
| Costume & Make-Up | Lizzie Kjartanson | Makeup & Hair Assistant |
| Sound | Vince Tennant | Dialogue Editor |
| Costume & Make-Up | Christine Choi | Key Makeup Artist |
| Sound | Eric Offin | Sound Effects Editor |
| Crew | Joe Fidler | Stunts |
| Camera | Brieana Johnson | Second Assistant Camera |
| Costume & Make-Up | Jenna Keller | Makeup Department Head |
| Art | Amanda Hart | Property Master |
| Sound | Derek McGinley | Sound Effects Editor |
| Sound | Pete Nichols | Sound Designer |
| Lighting | Jeffrey Peters | Gaffer |
| Production | Pamela Monroe | Line Producer |
| Production | Pamela Monroe | Unit Production Manager |
| Art | Stephyn Phillips | Set Dresser |
| Sound | Bryan Parker | Supervising Sound Editor |
| Crew | Clint Lilley | Stunt Coordinator |
| Camera | Jake Isham | Still Photographer |
| Costume & Make-Up | Kris Deskins | Costume Design |
| Crew | Monty Cox | Stunts |
| Crew | John Branagan | Stunts |
| Sound | Alan Arguelles | Boom Operator |
| Sound | Vicki O'Reilly Vandegrift | Foley Artist |
| Crew | Tim James | Stunts |
| Lighting | David Barahona | Electrician |
| Crew | Tim Mikulecky | Stunts |
| Lighting | Vong Chea | Gaffer |
| Camera | Alex Emmons | Best Boy Grip |
| Lighting | Robert Quinn III | Electrician |
| Directing | TK Shom | First Assistant Director |
| Camera | Katie Eleneke | Second Assistant Camera |
| Camera | Ed Joyce | Key Grip |
| Camera | Carter Kovacs | First Assistant Camera |
| Lighting | Chelsea Pettit | Electrician |
| Sound | Joshua Adeniji | Sound Effects Editor |
| Crew | Lena Bareket | Special Effects Coordinator |
| Crew | Robert Hensley | Makeup Effects |
| Sound | Laura Rush | Boom Operator |
| Camera | Matthew Borek | First Assistant Camera |
| Camera | Andrew Russo | Director of Photography |
| Art | Aimee Athnos | Set Decoration |
| Camera | Matt Berbano | First Assistant Camera |
| Lighting | Anthony Roldan | Best Boy Electric |
| Editing | Andrew Balis | Colorist |
| Crew | James Ojala | Makeup Effects |
| Directing | Ricky Dean Monsey | Second Second Assistant Director |
| Art | Angie Hartley | Property Master |
| Sound | Brad Flick | ADR Editor |
| Sound | Gerry Vazquez | Assistant Sound Editor |
| Sound | Taylor Westerfield | Assistant Sound Editor |
| Lighting | Kate Ketcham | Electrician |
| Production | Richard Valentino | Casting |
| Art | Celine Diano | Production Design |
| Sound | Clint Allday | Sound Recordist |
| Crew | Michelle Sebek | Stunts |
| Crew | Aaron Hawley | Stunts |
| Camera | Donato Bragagnolo | Key Grip |
| Camera | Ellie Ann Fenton | Camera Operator |
| Directing | Robert Moon | Script Supervisor |
| Sound | Nicholas Cochran | Sound Effects Editor |
| Sound | Jason Gaya | Sound Re-Recording Mixer |
| Sound | Travis MacKay | ADR Mixer |
| Directing | Kennedy Del Toro | Script Supervisor |
| Production | Joshua Mandel | Production Accountant |
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