A newly elected District attorney finds himself in the middle of a police corruption investigation that may involve his father and his partner.
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| Writing | Robert Daley | Novel |
| Directing | Sidney Lumet | Director |
| Writing | Sidney Lumet | Screenplay |
| Production | Brett Botula | Location Manager |
| Production | Celia D. Costas | Unit Production Manager |
| Sound | Danny Bramson | Music Supervisor |
| Sound | Les Lazarowitz | Production Sound Mixer |
| Camera | Pamela Rittelmeyer | Second Assistant Camera |
| Crew | Jack Gill | Stunt Coordinator |
| Camera | Adger W. Cowans | Still Photographer |
| Camera | Rick Raphael | "B" Camera Operator |
| Camera | Eric Swanek | First Assistant Camera |
| Camera | Xiomara Comrie | Second Assistant Camera |
| Production | Monica Levinson | Production Coordinator |
| Camera | Ken Ferris | Camera Operator |
| Directing | David Sardi | First Assistant Director |
| Sound | Annette Kudrak | Music Editor |
| Production | Jennifer McNamara | Casting Associate |
| Sound | Steven Visscher | Foley Editor |
| Sound | Kam Chan | Foley Editor |
| Art | Ed Larkin | Key Construction Grip |
| Production | Pat Distefano | Extras Casting |
| Art | Jakob Trollbäck | Title Designer |
| Sound | Glenfield Payne | Sound Effects Editor |
| Sound | Anthony Ortiz | Boom Operator |
| Sound | Gina Alfano | Dialogue Editor |
| Production | Peter Sobich Jr. | Assistant Production Coordinator |
| Lighting | Tim Guinness | Chief Lighting Technician |
| Art | Scott Gertsen | Key Carpenter |
| Art | Robert H. Paquette | Key Construction Grip |
| Crew | Lilith Jacobs | Post Production Supervisor |
| Crew | Toussaint Kotright | Cableman |
| Sound | Fred Rosenberg | Dialogue Editor |
| Art | Fred Merusi | Construction Coordinator |
| Sound | Nicholas Renbeck | Assistant Sound Editor |
| Sound | Dan Evans Farkas | Assistant Sound Editor |
| Sound | Stuart Stanley | Foley Editor |
| Sound | Ron Bochar | Supervising Sound Editor |
| Crew | Connie Brink | Special Effects Coordinator |
| Production | Keri Lederman | Production Secretary |
| Crew | Michael Hyde | Transportation Coordinator |
| Costume & Make-Up | James Hammer | Assistant Costume Designer |
| Art | Robin Koenig | Leadman |
| Sound | Deborah Wallach | ADR Editor |
| Editing | Phil Hetos | Color Timer |
| Production | Trish Adlesic | Assistant Location Manager |
| Directing | Jeffrey T. Bernstein | Second Second Assistant Director |
| Crew | Robert Easton | Dialect Coach |
| Directing | Maggie Murphy | Second Assistant Director |
| Art | Ann Miller | Property Master |
| Sound | Bruce Pross | Foley Supervisor |
| Camera | Sal Lanza | Dolly Grip |
| Directing | Martha Pinson | Script Supervisor |
| Costume & Make-Up | Joseph G. Aulisi | Costume Design |
| Production | Suzanne Smith Crowley | Casting |
| Production | Josh Kramer | Producer |
| Camera | David Watkin | Director of Photography |
| Production | Kerry Barden | Casting |
| Art | Carolyn Cartwright | Set Decoration |
| Production | Thom Mount | Producer |
| Editing | Sam O'Steen | Editor |
| Art | Philip Rosenberg | Production Design |
| Art | Robert Guerra | Art Direction |
| Production | Billy Hopkins | Casting |
| Art | Jennifer B. Starke | Art Department Coordinator |
| Sound | Mark Isham | Original Music Composer |
| Costume & Make-Up | KG Ramsey | Hairstylist |
| Costume & Make-Up | Michael Kriston | Key Hair Stylist |
| Costume & Make-Up | David Forrest | Key Makeup Artist |
| Production | John H. Starke | Co-Producer |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
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