When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.
Is The Sum of All Fears on Netflix? Yes! The movie The Sum of All Fears is now on Netflix in the countries listed below.
| Writing | Daniel Pyne | Screenplay |
| Writing | Paul Attanasio | Screenplay |
| Production | Mindy Marin | Casting |
| Directing | Phil Alden Robinson | Director |
| Production | Mace Neufeld | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Neil Travis | Editor |
| Camera | John Lindley | Director of Photography |
| Sound | Patrick Rousseau | Production Sound Mixer |
| Production | Tom Clancy | Executive Producer |
| Production | Larisa Isaeva | Casting |
| Production | Stratton Leopold | Executive Producer |
| Camera | Eric Aubin | Camera Loader |
| Production | Liam Kiernan | Location Manager |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Designer |
| Writing | Tom Clancy | Novel |
| Visual Effects | Brandon Craig | I/O Supervisor |
| Visual Effects | Paula Bonhomme | Visual Effects Coordinator |
| Visual Effects | Dan Malvin | Visual Effects Producer |
| Visual Effects | Glenn Neufeld | Visual Effects Supervisor |
| Visual Effects | Louis Craig | Special Effects Supervisor |
| Crew | Doug Juhn | Visual Effects Art Director |
| Sound | James Wright | Dolby Consultant |
| Sound | Robbie Kondor | Songs |
| Editing | Nicolas De Toth | Additional Editing |
| Visual Effects | Joseph Abenhaim | Digital Compositors |
| Art | John DeMeo | Art Direction |
| Art | Isabelle Guay | Art Direction |
| Art | Jeannine Oppewall | Production Design |
| Art | Andrew Neskoromny | Supervising Art Director |
| Art | Nicole Martinez-King | Art Department Coordinator |
| Art | Claude Paré | Supervising Art Director |
| Art | Martin Gendron | Art Direction |
| Art | David Corral | Greensman |
| Art | Daniel R. Jennings | Set Designer |
| Crew | Terry Leonard | Stunt Coordinator |
| Sound | John Leveque | Supervising Sound Editor |
| Costume & Make-Up | Matt Danon | Hair Department Head |
| Lighting | Jean-François Abran | Electrician |
| Camera | Mark Fellman | Still Photographer |
| Crew | Jeff Johnson | Set Medic |
| Art | Michele Laliberte | Art Direction |
| Art | Cindy Carr | Set Decoration |
| Camera | Stephen S. Campanelli | Camera Operator |
| Crew | Caleb J. Howard | CG Supervisor |
| Crew | Alain Giguère | Scenic Artist |
| Crew | Kevin Tengan | Systems Administrators & Support |
| Camera | Lawrence Karman | Steadicam Operator |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Crew | William Grunder | Craft Service |
| Camera | Julian Brain | Helicopter Camera |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Directing | Tom Davies | Assistant Director |
| Lighting | Stéphane Byl | Lighting Technician |
| Art | Alain Brochu | Construction Coordinator |
| Crew | Rhys Summerhayes | Set Production Assistant |
| Crew | Diana Jellinek | Stand In |
| Crew | Pierre Guay | Transportation Coordinator |
| Art | Audrey Brooks | Location Scout |
| Camera | Mark Hryma | Camera Technician |
| Crew | Michael W. Broomer | Driver |
| Production | Victoria Frodsham | Unit Production Manager |
| Crew | Karen Pidgurski | Unit Publicist |
| Production | Russell Steele | Production Accountant |
| Editing | Jim Passon | Color Timer |
| Costume & Make-Up | Corald Giroux | Key Hair Stylist |
| Costume & Make-Up | Annik Boivin | Makeup Artist |
| Crew | Julie Garceau | Video Assist Operator |
| Crew | Zeke Morales | Visual Effects Editor |
| Sound | Michael Payne | Sound Designer |
| Lighting | Rich Paisley | Gaffer |
| Art | Shane Reed | Leadman |
| Directing | Anna Rane | Script Supervisor |
| Production | Charles-André Bertrand | Researcher |
| Sound | Anthony M. McCovey | Boom Operator |
| Art | Caroline Alder | Assistant Art Director |
| Art | Andrew Semple | Sculptor |
| Camera | Wayne Baker | First Assistant Camera |
| Costume & Make-Up | Daniele Léger | Assistant Costume Designer |
| Crew | Liza Bigger | Production Office Assistant |
| Lighting | Bernard Arseneau | Rigging Gaffer |
| Art | Jean-Francois Mignault | Production Illustrator |
| Costume & Make-Up | Susan A. Cabral | Makeup Department Head |
| Lighting | Frank Detone Jr. | Rigging Grip |
| Production | Amanda Harding | Casting Associate |
| Production | David Israel | Production Supervisor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Crew | Stéphane Byl | Utility Stunts |
| Sound | David Campbell | Orchestrator |
| Production | Doris Donnenberg | Production Coordinator |
| Art | Marie-Hélène Labrecque | Art Department Assistant |
| Crew | John Paesano | Additional Music |
| Production | Charley Armstrong | Location Manager |
| Production | Michel Siry | Production Manager |
| Sound | Melanie Johnson | Sound Mixer |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Carl D. Ware | Sound Engineer |
| Crew | Jean Frenette | Stunts |
| Crew | Craig Hosking | Aerial Coordinator |
| Camera | Benoît Alarie | Grip |
| Directing | Richard Oswald | Second Assistant Director |
| Camera | Dan Barentine | Camera Loader |
| Camera | Jan Thijs | Additional Still Photographer |
| Costume & Make-Up | Francine Gagnon | Key Makeup Artist |
| Camera | Mark R. Leins | Aerial Camera |
| Crew | Bree McMurchy | Pilot |
| Production | Saundra Diardichuk | Assistant Production Coordinator |
| Costume & Make-Up | Lyse Pomerleau | Costume Coordinator |
| Crew | Jason Crosby | Marine Coordinator |
| Art | Eric Bardin | Assistant Property Master |
| Camera | Alain Masse | Dolly Grip |
| Editing | Mary Nelson-Duerrstein | Negative Cutter |
| Art | Tim Fassino | Set Dresser |
| Camera | Robert B. Baylis | Key Grip |
| Directing | Maxime Bérubé | Third Assistant Director |
| Production | Leigh French | ADR Voice Casting |
| Directing | David Sardi | First Assistant Director |
| Visual Effects | Elizabeth Maxwell Keith | Visual Effects Technical Director |
| Lighting | Jean Courteau | Chief Lighting Technician |
| Sound | Zack Davis | ADR Editor |
| Sound | Scott Curtis | Foley Editor |
| Sound | Shana Blake Hil | Musician |
| Sound | Nick Vidar | Music Programmer |
| Sound | Kimberly Lowe Voigt | Supervising ADR Editor |
| Sound | Anne Couk | Assistant Sound Editor |
| Production | Terri Tracy | Casting Assistant |
| Production | Rosina Bucci | Local Casting |
| Sound | Kenneth Hall | Supervising Music Editor |
| Sound | Kimberly Lowe Voigt | Supervising Dialogue Editor |
| Crew | Alison Reid | Stunts |
| Art | Randall D. Wilkins | Set Designer |
| Sound | Patrick Rousseau | Production Sound Mixer |
| Sound | Mark Gordon | Dialogue Editor |
| Camera | Christopher Woods | Additional Photography |
| Art | Claire Alary | Property Master |
| Production | Nina Gold | Casting |
| Directing | Brigitte Goulet | Second Second Assistant Director |
| Art | Marc Baird | Storyboard Artist |
| Sound | Philip Rogers | ADR Recordist |
| Costume & Make-Up | Anne-Marie Langevin | Costumer |
| Directing | Craig Hosking | Second Unit Director |
| Costume & Make-Up | Fanny Vachon | Assistant Makeup Artist |
| Directing | Stéphane Byl | Assistant Director |
| Sound | Robin Harlan | Foley Artist |
| Sound | Lance Laurienzo | First Assistant Sound Editor |
| Art | Isabelle Côté | Graphic Designer |
| Sound | Randy Singer | Foley Mixer |
| Art | Claude Beaucage | Swing |
| Costume & Make-Up | Ginette Régis | Key Dresser |
| Directing | Alexandre Bernard | Additional Third Assistant Director |
| Sound | Jeff Gomillion | ADR Mixer |
| Crew | Jophery C. Brown | Stunt Double |
| Crew | Rick Kain | Stunt Driver |
| Production | Tamara Gillon | Casting Assistant |
| Sound | Jerry Goldsmith | Conductor |
| Crew | Ehab Zayed | Dialogue Coach |
| Production | Michael Alvarado | Production Secretary |
| Editing | Donald Freeman | Colorist |
| Production | Kim De Pietro | Assistant Location Manager |
| Visual Effects | Cam DeLeon | Matte Painter |
| Lighting | Stephen Wells | Key Rigging Grip |
| Crew | Marc Chow | Special Effects Assistant |
| Crew | Jean-François Aubin | Special Effects Technician |
| Production | Elza Kephart | Location Manager |
| Editing | Doug Caron | Assistant Editor |
| Production | Robert George | Second Assistant Accountant |
| Visual Effects | Deborah Phillips | Visual Effects Assistant Editor |
| Lighting | Don Aros | Assistant Chief Lighting Technician |
| Visual Effects | Denise Demarest | Visual Effects Production Manager |
| Production | Jim Dunlap | First Assistant Accountant |
| Camera | Tom Nichols | First Company Grip |
| Sound | Robbie Kondor | Music Arranger |
| Crew | Silvy Kim | Receptionist |
| Visual Effects | Marvin Jones | Rotoscoping Artist |
| Costume & Make-Up | Rosalie Clermont-Bilodeau | Wardrobe Assistant |
| Camera | Philippe Piron | Focus Puller |
| Production | Jocelyn Parenteau | Extras Casting |
| Camera | Giselle Brewton | Assistant Camera |
| Lighting | Alex Amyot | Chief Lighting Technician |
| Production | Véronique Arcouette | Production Assistant |
| Production | Jennifer Bydwell | Researcher |
| Camera | Dean Citroni | Second Company Grip |
| Crew | Annie Larouche | Choreographer |
| Camera | Alain Bisson Doyal | Best Boy Grip |
| Camera | Kenneth Bender | Second Assistant Camera |
| Production | Kathy Day | Executive Assistant |
| Production | Katy Tatian-Genovese | Payroll Accountant |
| Production | Joel Román Mendías | Production Executive |
| Art | Steve Dubin | Set Supervisor |
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