A rich, young businessman travels to Australia with the intention of buying a 1967 Citroën DS. Once he arrives, things do not go to plan, and he must drive the DS into the outback alongside a blind young woman in order to track down its seller.
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| Production | Helen Loveridge | Executive Producer |
| Production | Michael J. Werner | Executive Producer |
| Production | Akiko Funatsu | Executive Producer |
| Production | Dennis Kiely | Line Producer |
| Directing | Clara Law | Director |
| Production | Peter Sainsbury | Executive Producer |
| Writing | Eddie Fong | Writer |
| Production | Eddie Fong | Producer |
| Writing | Clara Law | Writer |
| Production | Wouter Barendrecht | Executive Producer |
| Art | Emma Lawes | Art Direction |
| Costume & Make-Up | Robyn Austin | Makeup Supervisor |
| Camera | Sally Eccleston | First Assistant Camera |
| Costume & Make-Up | Margaret Aston | Assistant Makeup Artist |
| Costume & Make-Up | Robyn Austin | Hair Supervisor |
| Art | Dillon Yeats | Runner Art Department |
| Sound | Skye Ritchie | Assistant Sound Editor |
| Camera | Simon Cardwell | Still Photographer |
| Crew | Christian Gazal | Post Production Supervisor |
| Editing | Arthur Cambridge | Color Grading |
| Sound | Livia Ruzic | Sound Editor |
| Sound | Roger Savage | Sound Mixer |
| Camera | Roy Mico | Key Grip |
| Editing | Caroline Scott | Assistant Editor |
| Directing | Tanya Jackson | Second Assistant Director |
| Visual Effects | Andrea Parkes | Visual Effects Producer |
| Production | Auslan Ismail | Location Manager |
| Directing | Chris Webb | First Assistant Director |
| Sound | Gerry Long | Foley Artist |
| Editing | Adrian Hauser | Colorist |
| Sound | Sue Kerr | Boom Operator |
| Camera | Jeremy Dibben | Assistant Camera |
| Crew | Billy Browne | Post Production Assistant |
| Sound | Robert Mackenzie | ADR Recordist |
| Crew | Mick Corrigan | Stunts |
| Production | Jane Norris | Casting Assistant |
| Sound | Gareth Vanderhope | Sound Effects Designer |
| Visual Effects | Scott Otto Anderson | Animation Director |
| Directing | Geoff Willman | Third Assistant Director |
| Directing | Scott Lovelock | Third Assistant Director |
| Art | Geoff Howe | Construction Coordinator |
| Visual Effects | Peter Webb | Visual Effects |
| Lighting | Adam Hunter | Best Boy Electric |
| Production | Geoff Naylor | Unit Manager |
| Camera | Benjamin Jasper | Focus Puller |
| Art | Scott Otto Anderson | Title Designer |
| Production | Katie Gordon | Production Coordinator |
| Crew | Sue Healy | Choreographer |
| Production | Lucy Vorst | Production Accountant |
| Visual Effects | Chris Schwarze | Visual Effects Producer |
| Production | Dani Skye | Casting Assistant |
| Camera | Venetia Armstrong-Smith | Clapper Loader |
| Camera | John Balbi | Grip |
| Lighting | Nick De Laine | Gaffer |
| Directing | Claude Gonzalez | Continuity |
| Sound | Peter Grace | Sound Recordist |
| Art | Nicholas McCallum | Production Design |
| Camera | Dion Beebe | Director of Photography |
| Production | Anousha Zarkesh | Casting |
| Sound | Jen Anderson | Original Music Composer |
| Production | Yōko Narahashi | Casting |
| Costume & Make-Up | Annie Marshall | Costume Design |
| Costume & Make-Up | Helen Mather | Costume Design |
| Editing | Kate Williams | Editor |
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