For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.
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| Production | Hal Gaba | Executive Producer |
| Production | Jonathan Shteinman | Executive Producer |
| Writing | Marc Rosenberg | Writer |
| Editing | Dany Cooper | Editor |
| Camera | David Connell | Director of Photography |
| Directing | Rod Hardy | Director |
| Production | Jay Sanders | Producer |
| Camera | Lisa Tomasetti | Still Photographer |
| Camera | Matt Nettheim | Still Photographer |
| Sound | Bronwyn Murphy | Dialogue Editor |
| Sound | Megan Wedge | Assistant Sound Editor |
| Production | Barbara Gibbs | Production Manager |
| Sound | Alicia Slusarski | Sound Effects Editor |
| Art | Leslie Binns | Production Design |
| Production | Sally Clarke | Assistant Production Manager |
| Visual Effects | Jeff Jaffers | Visual Effects Producer |
| Visual Effects | Clint Ingram | Special Effects Supervisor |
| Editing | Teena Mestres | Assistant Editor |
| Crew | Glenn Boswell | Stunt Coordinator |
| Crew | Kerri Schwarze | Executive Visual Effects Producer |
| Art | Michelle Hunt | Title Designer |
| Sound | Toivo Lember | Sound Recordist |
| Art | Andrew Walpole | Art Direction |
| Directing | Mark Knight | Third Assistant Director |
| Costume & Make-Up | Robyn Elliott | Costume Supervisor |
| Sound | Liam Price | Sound Effects Editor |
| Art | Rita Zanchetta | Graphic Designer |
| Sound | Andrew Plain | Sound Designer |
| Directing | Robert Donaldson | First Assistant Director |
| Crew | Evanne Chesson | Animal Wrangler |
| Sound | Gethin Creagh | Sound Re-Recording Mixer |
| Visual Effects | Chris Schwarze | Visual Effects Supervisor |
| Camera | Peter McDougall | Underwater Camera |
| Sound | Jenny T. Ward | Dialogue Editor |
| Costume & Make-Up | Mariot Kerr | Costume Designer |
| Directing | Sophie Stawaruk | Second Assistant Director |
| Costume & Make-Up | Fiona Rees-Jones | Makeup Supervisor |
| Camera | Harry Panagiotidis | Steadicam Operator |
| Production | Ann Fay | Casting |
| Directing | Susie Struth | Script Supervisor |
| Costume & Make-Up | Fiona Rees-Jones | Hair Supervisor |
| Production | Sarah Abbey | Location Manager |
| Production | Barbara Gibbs | Line Producer |
| Production | Nino Negrin | Unit Manager |
| Visual Effects | Andrea Parkes | Visual Effects Producer |
| Crew | Colleen Clarke | Post Production Supervisor |
| Sound | Norman Parkhill | Music Supervisor |
| Art | Karen Hannaford | Set Decoration |
| Art | Paul Spencer | Construction Manager |
| Directing | Chris Langman | Second Unit Director |
| Costume & Make-Up | Jen Rossiter | Hair Setup |
| Sound | Carlo Giacco | Original Music Composer |
| Writing | Michael Noonan | Novel |
| Writing | Ronald Kinnoch | Story |
| Production | Richard Becker | Producer |
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