In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.
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Directing | Richard Benjamin | Director |
Writing | Steve Kloves | Screenplay |
Production | Alain Bernheim | Producer |
Production | John Kohn | Producer |
Production | Art Levinson | Line Producer |
Camera | John Bailey | Director of Photography |
Editing | Jacqueline Cambas | Editor |
Editing | Nicholas James | Editor |
Production | Wallis Nicita | Casting |
Sound | Dave Grusin | Original Music Composer |
Costume & Make-Up | Patricia Norris | Costume Design |
Art | David L. Snyder | Production Design |
Crew | Steven Lambert | Stunts |
Crew | Mike H. McGaughy | Stunts |
Crew | Pat Green | Stunts |
Crew | Richard Calkins | Stunts |
Production | Art Levinson | Associate Producer |
Production | Art Levinson | Production Manager |
Directing | William S. Beasley | First Assistant Director |
Directing | Duncan Henderson | Second Assistant Director |
Art | Jeannine Oppewall | Set Designer |
Art | Jerry Wunderlich | Set Decoration |
Directing | Marshall Schlom | Script Supervisor |
Camera | Robert M. Stevens | Camera Operator |
Camera | Philip D. Schwartz | First Assistant Camera |
Camera | Bob Apger | Second Assistant Camera |
Sound | Jerry Jost | Sound Mixer |
Costume & Make-Up | Allan Snyder | Makeup Artist |
Costume & Make-Up | Lillian Barb | Hairstylist |
Art | Pat O'Connor | Property Master |
Art | Matty Azzarone | Assistant Property Master |
Lighting | Ronald W. McLeish | Gaffer |
Lighting | Michael W. Blymyer | Best Boy Electric |
Camera | Al LaVerde | Key Grip |
Camera | Ty Suehiro | Best Boy Grip |
Camera | George R. Schrader | Dolly Grip |
Sound | Pat Suraci | Boom Operator |
Sound | William Manooch | Sound Recordist |
Art | Frank L. Brown | Leadman |
Art | Nigel A. Boucher | Leadman |
Editing | Mary Andrews | Assistant Editor |
Sound | Robert Grieve | Supervising Sound Editor |
Sound | Dennis Drummond | Sound Effects Editor |
Sound | Michael Tomack | Sound Effects Editor |
Sound | Rod Rogers | Assistant Sound Editor |
Sound | Doreen A. Dixon | ADR Editor |
Sound | J. Paul Huntsman | ADR Editor |
Sound | Nicholas James | Dialogue Editor |
Sound | Victoria Sampson | Dialogue Editor |
Sound | Dody Dorn | Foley Editor |
Sound | John Roesch | Foley |
Sound | Else Blangsted | Music Editor |
Crew | Victor Paul | Stunt Coordinator |
Sound | William L. McCaughey | Sound Re-Recording Mixer |
Sound | Terry Porter | Sound Re-Recording Mixer |
Sound | Mel Metcalfe | Sound Re-Recording Mixer |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Art | Joe Wood | Construction Coordinator |
Crew | Garry Elmendorf | Special Effects |
Crew | Howard A. Small | Transportation Coordinator |
Production | Sara Romilly | Producer's Assistant |
Production | Chriss Strauss | Producer's Assistant |
Production | Elaine Rockett | Producer's Assistant |
Crew | Bruce Bahrenburg | Unit Publicist |
Camera | Len Hekel | Still Photographer |
Art | Dan Curry | Title Designer |
Editing | Bob Noland | Color Timer |
Editing | Ginny Parillo | Negative Cutter |
Crew | Lou Butera | Technical Advisor |
Production | Sherry Lansing | Producer |
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