Long separated from his Russian family, hitman Joshua returns to Brighton Beach for a contract killing for the Russian Mafia. His abusive father, Arkady, banned him from returning after Joshua committed his first murder. He takes up residence in a hotel, and soon everyone knows he has returned. He goes home to visit his dying mother, Irina, and prepares for the assassination, getting drawn back into the criminal community he left behind.
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| Costume & Make-Up | Karen Nichols | Key Hair Stylist |
| Crew | Lisa Rosen | Post Production Supervisor |
| Directing | David M. Cox | Second Assistant Director |
| Sound | Zane D. Bruce | Foley Artist |
| Crew | Gadi Barak | Charge Scenic Artist |
| Directing | Steve Apicella | First Assistant Director |
| Directing | David 'Wex' Wechsler | Second Second Assistant Director |
| Art | Lisa Davis | Art Department Coordinator |
| Costume & Make-Up | Karen Nichols | Key Makeup Artist |
| Costume & Make-Up | Annie Ballard | On Set Dresser |
| Art | Jim Lillis | Leadman |
| Sound | Gary Gegan | Sound Re-Recording Mixer |
| Production | Christopher Goode | Production Manager |
| Crew | Michael J. Harker | Post Production Supervisor |
| Art | Danny Rovira | Construction Coordinator |
| Art | Dave Dearberg | Property Master |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Susan Dudeck | ADR Editor |
| Sound | Bob Baron | ADR Mixer |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Costume & Make-Up | Kelly MacNeal | Assistant Makeup Artist |
| Sound | Fred Cipriano | Sound Effects Editor |
| Costume & Make-Up | Kelly MacNeal | Assistant Hairstylist |
| Art | Michael Preston | Set Dresser |
| Sound | Lewis Goldstein | Supervising Sound Editor |
| Art | Stuart Montgomery | Swing |
| Art | Mike Murphy | Swing |
| Sound | Jeanne Gilliland | Boom Operator |
| Sound | David Boulton | ADR Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Lighting | Andy Watts | Best Boy Electric |
| Costume & Make-Up | Joan Kaufman | Assistant Costume Designer |
| Crew | Drew Jiritano | Special Effects |
| Crew | John Stifanich | Special Effects |
| Lighting | Margot Kingon | Electrician |
| Editing | Sharon McGeeney | Negative Cutter |
| Crew | Bobby Marsh | Driver |
| Production | Brian David Fisher | Production Assistant |
| Camera | Tony Arnaud | Dolly Grip |
| Camera | Vadim Frumin | Grip |
| Camera | Xavier Henselmann | Grip |
| Camera | Emelia Stockdale | First Assistant Camera |
| Sound | Tom Paul | Production Sound Mixer |
| Sound | Mark Seagraves | Dialogue Editor |
| Camera | Jonathan Mintz | Key Grip |
| Production | Kalev Kuusoeks | Extras Casting Assistant |
| Sound | Philip Tallman | Music Editor |
| Camera | David Burroughs | Best Boy Grip |
| Costume & Make-Up | Kevin Donaldson | Costume Assistant |
| Costume & Make-Up | Vicki Farrell | Assistant Costume Designer |
| Sound | David Jobe | Foley Mixer |
| Camera | Pat Donovan | Grip |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Kimberly Lambert | Dialogue Editor |
| Sound | James Matheny | Dialogue Editor |
| Sound | Athonia Cappelli | Sound Editor |
| Camera | Elizabeth Wick | Second Assistant Camera |
| Costume & Make-Up | Ellen Cowhey | Wardrobe Supervisor |
| Production | Eddy Collyns | Location Manager |
| Sound | Richard Henderson | Music Coordinator |
| Sound | John A. Larsen | Supervising Sound Editor |
| Lighting | Eric Schmidt | Gaffer |
| Lighting | Patrick Cady | Electrician |
| Camera | Margaret Heidenry | Grip |
| Editing | Brian Johnson | First Assistant Editor |
| Production | Sarah Lindborg | Location Assistant |
| Crew | Gavin J. Behrman | Set Production Assistant |
| Crew | John Lesher | Thanks |
| Production | Andrew Saxe | Assistant Location Manager |
| Crew | Teri Kane | Unit Publicist |
| Production | Mimi Turner | Production Assistant |
| Production | Jocelyn Jansons | Location Assistant |
| Production | Margo Myers | Production Accountant |
| Crew | Matt Reeves | Thanks |
| Crew | Scott Fleischer | Thanks |
| Production | Jordan Beswick | Casting Assistant |
| Sound | Dana Sano | Music Supervisor |
| Crew | C.J. Byrnes | Stand In |
| Crew | Suzanne Celeste | Dialect Coach |
| Production | Victoria McGarry | Production Coordinator |
| Editing | Bob Fredrickson | Color Timer |
| Sound | Dick Bernstein | Music Editor |
| Crew | Victoria Robinson | Production Office Assistant |
| Crew | Rick Washburn | Weapons Master |
| Crew | Bryan Burk | Thanks |
| Crew | Olegar Fedoro | Dialogue Coach |
| Crew | Mark Ordesky | Thanks |
| Production | Paul Webster | Producer |
| Editing | Dorian Harris | Editor |
| Production | Rolf Mittweg | Executive Producer |
| Production | Claudia Lewis | Executive Producer |
| Production | Nick Wechsler | Executive Producer |
| Production | Kerry Orent | Co-Producer |
| Art | Charles Ford | Set Decoration |
| Crew | Roy Farfel | Stunt Coordinator |
| Costume & Make-Up | Michael Clancy | Costume Design |
| Art | Kevin Thompson | Production Design |
| Camera | Tom Richmond | Director of Photography |
| Directing | Julie Oppenheimer | Script Supervisor |
| Camera | Prashant Gupta | Still Photographer |
| Production | Douglas Aibel | Casting |
| Sound | Dana Sano | Original Music Composer |
| Art | Judy Rhee | Art Direction |
| Directing | James Gray | Director |
| Writing | James Gray | Writer |
| Editing | Jeffrey Ford | Assistant Editor |
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