Dateless for the Christmas ball, 39-year-old bachelor, King Charles of Baltania, tracks down his American college sweetheart, only to discover Allison has never been married, yet raised a 17-year-old daughter, Lily, who mathematically might be Charles' biological princess.
Unfortunately the movie A Royal Christmas Ball is not yet available on Netflix. Follow us on Facebook to see when A Royal Christmas Ball becomes available on Netflix!
| Directing | David DeCoteau | Director |
| Production | Charles Arthur Berg | Line Producer |
| Production | Brian Nolan | Associate Producer |
| Production | Jeffrey Schenck | Executive Producer |
| Crew | Nils Allen Stewart | Stunt Coordinator |
| Sound | Marc Ferrari | Music Supervisor |
| Crew | Mikel Shane Prather | Additional Music |
| Production | Peter Sullivan | Co-Producer |
| Editing | Brian Brinkman | Editor |
| Costume & Make-Up | Mandy Pauline | Costume Design |
| Crew | Alex Mestres | Driver |
| Editing | Joshua Toomey | Editor |
| Costume & Make-Up | Catalena Lee | Wardrobe Assistant |
| Art | Brenton Berna | Production Design |
| Production | Paul Ruddy | Casting |
| Production | Barry Barnholtz | Executive Producer |
| Art | Zack Matzganis | Art Direction |
| Production | Jennifer Notas Shapiro | Associate Producer |
| Art | Fernando Valdes | Set Dresser |
| Crew | Chris Ridenhour | Additional Music |
| Costume & Make-Up | Kris Deskins | Costume Supervisor |
| Camera | Thomas L. Callaway | Director of Photography |
| Production | Zelma Kiwi | Executive Producer |
| Art | Chris Prange | Property Master |
| Production | David DeCoteau | Producer |
| Production | Charles Arthur Berg | Producer |
| Visual Effects | Gary Jones | Visual Effects |
| Costume & Make-Up | Teresa Aguilera | Hairstylist |
| Costume & Make-Up | Michael James Pistone | Hairstylist |
| Costume & Make-Up | Teresa Aguilera | Makeup Artist |
| Costume & Make-Up | Michael James Pistone | Makeup Artist |
| Camera | Chris Chrisenberry | First Assistant Camera |
| Camera | Ian Blake | Second Assistant Camera |
| Camera | Gilbert Anguine | Grip |
| Sound | David Michael Erwin | Sound Designer |
| Directing | Joshua Lou Friedman | First Assistant Director |
| Production | Samantha Mummolo | Assistant Production Coordinator |
| Production | Lotti Pharriss Knowles | Post Production Coordinator |
| Sound | Dave Moorman | Sound Re-Recording Mixer |
| Camera | Josh Lang | Digital Imaging Technician |
| Costume & Make-Up | Chelsea Orduno | Makeup Department Head |
| Directing | James Thomas | Second Assistant Director |
| Lighting | Carlos Ceja | Gaffer |
| Lighting | Jonathan Na | Best Boy Electric |
| Lighting | Gordon Hale | Best Boy Electric |
| Sound | Mark Sutton | Sound Mixer |
| Lighting | Isaac Han | Best Boy Electric |
| Camera | Clas Lindgren | Best Boy Grip |
| Directing | Amy Aitken | Second Second Assistant Director |
| Lighting | Richard Duryea | Electrician |
| Production | Eldar Erlich | Key Production Assistant |
| Crew | Matthew Ballard | Transportation Coordinator |
| Production | Peter Sutton | Extras Casting |
| Camera | Keenan Kuzniersik | Key Grip |
| Camera | Oldurdy Bastarde | Grip |
| Sound | Mark McBryde | Foley Artist |
| Production | Jeff Solema | Production Coordinator |
| Editing | Joshua Tooney | Online Editor |
| Editing | Allen Kelly | Colorist |
| Camera | Josh Lang | Still Photographer |
| Sound | Chris Cano | Original Music Composer |
| Crew | Eliza Swenson | Additional Music |
| Writing | Jeffrey Schenck | Story |
| Writing | Suzanne Dunn | Writer |
| Writing | Peter Sullivan | Story |
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