Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Unfortunately the movie X-Men: First Class is not yet available on Netflix. Follow us on Facebook to see when X-Men: First Class becomes available on Netflix!
| Directing | Matthew Vaughn | Director |
| Production | Bryan Singer | Producer |
| Production | Lauren Shuler Donner | Producer |
| Production | Simon Kinberg | Producer |
| Camera | Steve Burgess | First Assistant Camera |
| Crew | Sian Milne | Stunt Double |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Directing | Kim H. Winther | First Assistant Director |
| Crew | Jeff Habberstad | Stunt Coordinator |
| Art | Pippa Needs | Art Department Coordinator |
| Camera | David Cozens | First Assistant Camera |
| Directing | Josh Robertson | First Assistant Director |
| Art | Cliff Zimowski | Art Department Coordinator |
| Camera | Murray Close | Still Photographer |
| Sound | Robin Johnson | Boom Operator |
| Sound | Simon Hayes | Production Sound Mixer |
| Sound | Arthur Fenn | Boom Operator |
| Directing | Annie Penn | Script Supervisor |
| Production | Janine Modder | Unit Production Manager |
| Art | Giles Asbury | Storyboard Artist |
| Art | Brian Seccombe | Assistant Property Master |
| Visual Effects | Denise Davis | Visual Effects Producer |
| Art | Tony Chance | Storyboard Artist |
| Art | Terry Woods | Property Master |
| Sound | John A. Larsen | Supervising Sound Editor |
| Sound | Craig Berkey | Supervising Sound Editor |
| Art | Andrew Tapper | Graphic Designer |
| Production | Robin Mulcahy Fisichella | Production Supervisor |
| Camera | Chris Bain | First Assistant Camera |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Directing | Brian Smrz | Second Unit Director |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Directing | Lee Tailor | Second Assistant Director |
| Camera | Martin Hume | Camera Operator |
| Camera | Daniele Massaccesi | Camera Operator |
| Sound | Tim Gomillion | Sound Recordist |
| Production | Gregory Goodman | Unit Production Manager |
| Art | Cheryl Gould Strang | Leadman |
| Directing | Diane Durant | Script Supervisor |
| Art | Jennifer Bowes | Art Department Coordinator |
| Sound | John Morris | Sound Effects Editor |
| Sound | Wayne Lemmer | Sound Effects Editor |
| Sound | Bob Kellough | Sound Effects Editor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Gavin Rose | Assistant Sound Editor |
| Sound | Derek Casari | ADR Engineer |
| Sound | Donald Sylvester | ADR Editor |
| Sound | John T. Cucci | Foley Artist |
| Sound | Matthew Collinge | Sound Designer |
| Sound | John Murray | Foley Supervisor |
| Sound | Craig Berkey | Sound Designer |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Rob Prynne | Sound Designer |
| Sound | Danny Sheehan | Supervising Dialogue Editor |
| Sound | Laura Graham | ADR Editor |
| Sound | Richard Duarte | Foley Mixer |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Sound | Doug Jackson | Foley Editor |
| Sound | Bruce Tanis | Foley Editor |
| Production | Johnny Gidcomb | ADR Voice Casting |
| Sound | David Grimaldi | Sound Effects Editor |
| Sound | Scott Curtis | Foley Editor |
| Sound | Randall Guth | First Assistant Sound Editor |
| Sound | David Lucarelli | ADR Recordist |
| Sound | James Ashwill | Foley Mixer |
| Sound | Michael Maroussas | Dialogue Editor |
| Lighting | Billy Gamble | Best Boy Electric |
| Costume & Make-Up | Risa Garcia | Set Costumer |
| Lighting | Andrew Watson | Rigging Gaffer |
| Costume & Make-Up | Bruno de Santa | Set Costumer |
| Camera | Derek Russell | Best Boy Grip |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Editing | George Chavez | Color Timer |
| Lighting | Guy Minoli | Best Boy Electric |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Loan Phan | Digital Intermediate Producer |
| Costume & Make-Up | Sharon McCormack | Tailor |
| Lighting | David Smith | Gaffer |
| Camera | Ralph Scherer | Dolly Grip |
| Costume & Make-Up | Richard Sale | Assistant Costume Designer |
| Costume & Make-Up | Miloslav Skorepa | Set Costumer |
| Camera | John Flemming | Key Grip |
| Camera | Keith Manning | Dolly Grip |
| Camera | Nic Cupac | Dolly Grip |
| Lighting | Stewart Monteith | Best Boy Electric |
| Camera | Jack Flemming | Dolly Grip |
| Costume & Make-Up | Stephanie Paul | Set Costumer |
| Crew | Jess Platt | Dialogue Coach |
| Directing | Spiro Razatos | Second Unit Director |
| Sound | John Finklea | Music Editor |
| Sound | Daniel Pinder | Supervising Music Editor |
| Art | Dale DeStefani | Construction Coordinator |
| Crew | Stacy Mann | Unit Publicist |
| Crew | Alicia Vela-Bailey | Stunt Double |
| Production | Jeremy Rich | Casting |
| Editing | Eddie Hamilton | Editor |
| Art | John Frankish | Art Direction |
| Camera | John Mathieson | Director of Photography |
| Production | Lucinda Syson | Casting |
| Art | Alan Gilmore | Art Direction |
| Art | Chris Seagers | Production Design |
| Art | Grant Armstrong | Art Direction |
| Art | Alex Cameron | Art Direction |
| Art | Tom Frohling | Art Direction |
| Art | Steve Cooper | Art Direction |
| Art | Joe Howard | Art Direction |
| Art | Paul Booth | Art Direction |
| Art | James Hambidge | Art Direction |
| Editing | Lee Smith | Editor |
| Art | Marc Homes | Art Direction |
| Art | Sonja Klaus | Set Decoration |
| Art | Sue Whitaker | Art Direction |
| Costume & Make-Up | Sammy Sheldon | Costume Design |
| Costume & Make-Up | Wendy M. Craig | Costume Supervisor |
| Art | Adam O'Neill | Art Direction |
| Costume & Make-Up | Nicole Young | Costume Supervisor |
| Art | Erin Boyd | Set Decoration |
| Crew | Garrett Warren | Utility Stunts |
| Visual Effects | Hiroshi Mori | Visual Effects |
| Crew | Zack Duhame | Stunts |
| Production | Tom Cohen | Associate Producer |
| Production | Gregory Goodman | Producer |
| Lighting | Tyler DeLisle | Lighting Artist |
| Production | Roger Mussenden | Casting |
| Lighting | Justin Hammond | Lighting Technician |
| Visual Effects | Sachin Bangera | VFX Artist |
| Crew | Marc Mailley | Stunts |
| Visual Effects | Matt Weaver | Animation |
| Visual Effects | Guy Williams | Visual Effects Supervisor |
| Crew | Duffy Gaver | Utility Stunts |
| Crew | Duffy Gaver | Stunts |
| Crew | Frank Reina | Production Office Assistant |
| Art | John King | Supervising Art Director |
| Art | Dawn Swiderski | Supervising Art Director |
| Art | Marc Fisichella | Supervising Art Director |
| Crew | Jessie Graff | Utility Stunts |
| Visual Effects | Ian Blum | Animation |
| Crew | Joey Box | Utility Stunts |
| Crew | Chris O'Hara | Utility Stunts |
| Sound | Henry Jackman | Original Music Composer |
| Directing | Alexander Witt | Second Unit Director |
| Production | Stan Lee | Executive Producer |
| Directing | Josh McLaglen | First Assistant Director |
| Crew | Tom Struthers | Stunt Coordinator |
| Visual Effects | John Dykstra | Visual Effects Supervisor |
| Writing | Sheldon Turner | Story |
| Writing | Bryan Singer | Story |
| Production | Josh McLaglen | Executive Producer |
| Production | David Reid | Line Producer |
| Production | Adam Bohling | Line Producer |
| Production | Tarquin Pack | Executive Producer |
| Production | Jeremiah Samuels | Line Producer |
| Crew | Chris Dowell | Post Production Supervisor |
| Visual Effects | Jerad Marantz | Character Designer |
| Art | Archie Campbell-Baldwin | Assistant Set Decoration |
| Art | Chris Cleek | Assistant Art Director |
| Writing | Zack Stentz | Screenplay |
| Writing | Matthew Vaughn | Screenplay |
| Writing | Ashley Miller | Screenplay |
| Writing | Jane Goldman | Screenplay |
| Production | Jason Taylor | Co-Producer |
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