A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
Is The Green Mile on Netflix? Yes! The movie The Green Mile is now on Netflix in the countries listed below.
| Directing | Frank Darabont | Director |
| Writing | Frank Darabont | Screenplay |
| Production | David Valdes | Producer |
| Production | Frank Darabont | Producer |
| Sound | Thomas Newman | Original Music Composer |
| Camera | David Tattersall | Director of Photography |
| Editing | Richard Francis-Bruce | Editor |
| Production | Mali Finn | Casting |
| Art | Terence Marsh | Production Design |
| Art | Michael Seirton | Set Decoration |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Crew | Danielle Burgio | Stunts |
| Crew | Jeff Imada | Stunt Coordinator |
| Costume & Make-Up | Heather Pain | Key Costumer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Writing | Stephen King | Novel |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Crew | Fred Fein | Stand In |
| Crew | Jessica Drake | Dialect Coach |
| Crew | Tommy J. Huff | Stunts |
| Costume & Make-Up | Janis Clark | Hairstylist |
| Costume & Make-Up | Marsha Bozeman | Set Costumer |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Editing | Robert C. Lusted | First Assistant Editor |
| Crew | Kerry Rossall | Stunts |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Editing | Andrew Dickler | Assistant Editor |
| Visual Effects | David Latour | Animation |
| Visual Effects | Rick O'Connor | Animation |
| Crew | Stephen King | Thanks |
| Directing | Susan Malerstein | Script Supervisor |
| Costume & Make-Up | Nina Paskowitz | Key Hair Stylist |
| Art | William Cruse | Supervising Art Director |
| Camera | David Emmerichs | Steadicam Operator |
| Camera | David Emmerichs | Camera Operator |
| Lighting | Bobby Burton | Gaffer |
| Lighting | Jimmy Keys | Rigging Gaffer |
| Production | L. Dean Jones Jr. | Unit Production Manager |
| Art | Beatriz Kerti | Art Department Coordinator |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Mark Mangini | Supervising Sound Editor |
| Sound | Marvin E. Lewis | Boom Operator |
| Sound | Bill Bernstein | Music Editor |
| Production | Carrie Durose | Production Coordinator |
| Production | Emily Schweber | Casting Associate |
| Production | Maureen Whalen | Casting Associate |
| Camera | Willie Mann | Grip |
| Directing | Basti Van Der Woude | Second Second Assistant Director |
| Art | Sebastian Milito | Construction Coordinator |
| Directing | Alan B. Curtiss | First Assistant Director |
| Directing | David M. Bernstein | Second Assistant Director |
| Directing | Jonathan Watson | Second Assistant Director |
| Visual Effects | Charles Gibson | Visual Effects Supervisor |
| Camera | Heather Page | First Assistant Camera |
| Camera | Jon Yirak | Second Assistant Camera |
| Camera | Charles B. Katz | Second Assistant Camera |
| Editing | David Orr | Color Timer |
| Crew | Tim A. Davison | Stunts |
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