A young drug-addled writer approaching the bottom of his descent submits to two months of agonizing detox at a treatment center in Minnesota.
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| Writing | Sam Taylor-Johnson | Screenplay |
| Directing | Sam Taylor-Johnson | Director |
| Writing | Aaron Taylor-Johnson | Screenplay |
| Production | Kathy Driscoll-Mohler | Casting |
| Production | James Frey | Executive Producer |
| Production | Monte Lipman | Executive Producer |
| Production | Brad Weston | Producer |
| Production | Todd Cohen | Executive Producer |
| Production | Francine Maisler | Casting |
| Production | Dara Weintraub | Unit Production Manager |
| Directing | Jason Blumenfeld | First Assistant Director |
| Production | Janet G. Knutsen | Production Manager |
| Directing | Patrick Cunningham | Second Assistant Director |
| Crew | Merritt Yohnka | Stunt Coordinator |
| Crew | John Medlen | Stunts |
| Crew | Thomas DeWier | Stunt Coordinator |
| Crew | Rene Mousseux | Stunts |
| Art | Patrick Cassidy | Set Decoration |
| Production | Mark Millner | Co-Producer |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Camera | Tucker Korte | "B" Camera Operator |
| Camera | Robert Smathers | First Assistant "A" Camera |
| Lighting | N. Clive Richards | Rigging Gaffer |
| Art | Michael Glynn | Property Master |
| Camera | Peter J. Yauri | Best Boy Grip |
| Art | Nora Takacs Ekberg | Assistant Art Director |
| Art | Kyle Cota | Set Dresser |
| Art | Diego Moz Rodriguez | Set Dresser |
| Art | Victor Torres | Set Dresser |
| Art | Shawn David Miller | Set Dresser |
| Camera | Michele De Lorimier | Digital Imaging Technician |
| Lighting | Fernando Pelayo | Electrician |
| Sound | Knox White | Boom Operator |
| Sound | Pete Orlanski | Utility Sound |
| Camera | James Sweet | Key Grip |
| Art | David Dolivek | Leadman |
| Camera | Sherri Miranda | Second Assistant "B" Camera |
| Camera | Paul Toomey | First Assistant "C" Camera |
| Lighting | Dwayne Lyon | Electrician |
| Art | Nikki Gainey | Assistant Property Master |
| Lighting | Thomas McCarty | Electrician |
| Camera | Peter Rosenfeld | "A" Camera Operator |
| Camera | Joseph Arthur Soria | Second Assistant "A" Camera |
| Sound | Thomas Curley | Production Sound Mixer |
| Lighting | Harold Skinner | Gaffer |
| Camera | Peter Rosenfeld | Steadicam Operator |
| Camera | Bradley A. Rochlitzer | First Assistant "B" Camera |
| Directing | Diane H. Newman | Script Supervisor |
| Visual Effects | Blumes Tracy | Special Effects Supervisor |
| Production | Dan Cooley | Location Manager |
| Crew | Matthew Talamantes | Transportation Captain |
| Production | Adam Bradshaw | Production Office Coordinator |
| Sound | Brian Straub | Foley Artist |
| Costume & Make-Up | Stephanie Fox-Kramer | Costume Supervisor |
| Camera | Adam J. Ruiz | Grip |
| Directing | Nancy L. Ventura | Second Second Assistant Director |
| Costume & Make-Up | Tanya Stine | Key Hair Stylist |
| Costume & Make-Up | Frank Alexander | Key Costumer |
| Production | Jeffrey Gutkin | Assistant Production Coordinator |
| Production | Leah Holmes | Post Production Accountant |
| Sound | Joseph S. DeBeasi | Music Editor |
| Editing | Christine Carr | Digital Intermediate Producer |
| Editing | Manny Dubón | Digital Intermediate Editor |
| Costume & Make-Up | Tracey Anderson | Makeup Department Head |
| Costume & Make-Up | Arleen Chavez | Hair Department Head |
| Crew | Michael Buster | Dialect Coach |
| Editing | Ian Vertovec | Digital Intermediate Colorist |
| Sound | Matthew Manselle | Foley Mixer |
| Costume & Make-Up | Keith Sayer | Makeup & Hair |
| Costume & Make-Up | Christien Tinsley | Makeup Effects Designer |
| Production | Peter Costelli | Assistant Location Manager |
| Sound | Sean Mulligan | Music Supervisor |
| Costume & Make-Up | Alicia Ast | Costumer |
| Sound | Victoria Beard | Music Coordinator |
| Production | Cynthia Garcia Walker | Production Accountant |
| Editing | Ethan Schwartz | Colorist |
| Sound | Bob Lacivita | ADR Mixer |
| Costume & Make-Up | Sabine Roller | Key Makeup Artist |
| Sound | Gayle Wesley | First Assistant Sound Editor |
| Camera | Leland Gibson | Dolly Grip |
| Costume & Make-Up | Julia Bly | Set Costumer |
| Costume & Make-Up | Rachel Choi | Costume Assistant |
| Lighting | William Anguiano | Rigging Grip |
| Art | Vincent Lucido | Storyboard Artist |
| Camera | Brad Rea | Dolly Grip |
| Crew | John Orlebeck | Transportation Coordinator |
| Crew | Tim Pedegana | Post Production Supervisor |
| Crew | Nick Chuba | Additional Music |
| Production | Quinn Kawata | Post Production Coordinator |
| Editing | Dmitri Frolov | First Assistant Editor |
| Sound | Bruce Tanis | Sound Designer |
| Sound | Andy Hay | Dialogue Editor |
| Editing | Matt Blackshear | Digital Intermediate Editor |
| Production | Alex Heineman | Producer |
| Camera | Jeff Cronenweth | Director of Photography |
| Production | Pamela Abdy | Producer |
| Editing | Martin Pensa | Editor |
| Production | Andrew Rona | Producer |
| Production | Aaron Taylor-Johnson | Producer |
| Production | Sam Taylor-Johnson | Producer |
| Costume & Make-Up | Mary Claire Hannan | Costume Design |
| Sound | Thomas Curley | Sound Mixer |
| Production | Dana Sano | Executive Producer |
| Sound | Leopold Ross | Original Music Composer |
| Production | Dara Weintraub | Executive Producer |
| Art | David J. Bomba | Production Design |
| Sound | Claudia Sarne | Original Music Composer |
| Sound | Atticus Ross | Original Music Composer |
| Production | David Krintzman | Executive Producer |
| Sound | Andy Hay | Sound Re-Recording Mixer |
| Writing | James Frey | Novel |
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