A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
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Production | Lawrence Bender | Producer |
Camera | Andrzej Sekula | Director of Photography |
Editing | Sally Menke | Editor |
Production | Ronnie Yeskel | Casting |
Art | David Wasco | Production Design |
Writing | Quentin Tarantino | Writer |
Production | Richard N. Gladstein | Executive Producer |
Production | Monte Hellman | Executive Producer |
Production | Ronna B. Wallace | Executive Producer |
Art | Sandy Reynolds-Wasco | Set Decoration |
Costume & Make-Up | Betsy Heimann | Costume Design |
Production | Paul Hellerman | Production Manager |
Crew | Stephen DeLollis | Special Effects |
Crew | Rick Yale | Special Effects |
Crew | Larry Fioritto | Special Effects Coordinator |
Production | Harvey Keitel | Co-Producer |
Sound | Karyn Rachtman | Music Supervisor |
Art | Brett C. Smith | Leadman |
Art | Marino Pascal | Location Scout |
Camera | Ziad Doueiri | First Assistant Camera |
Camera | Ric Urbauer | Key Grip |
Camera | Ross Katz | Grip |
Camera | Mark Emery Moore | Steadicam Operator |
Costume & Make-Up | Mary Claire Hannan | Costume Supervisor |
Costume & Make-Up | Iain Jones | Hair Designer |
Costume & Make-Up | Rachel Tanner | Hairstylist |
Costume & Make-Up | Michelle Bühler | Makeup Artist |
Costume & Make-Up | Jacqueline Aronson | Set Costumer |
Crew | Jeannie H. Kelly | Craft Service |
Crew | Suzanne Celeste | Dialect Coach |
Crew | David Coffee | Driver |
Crew | Wayne Alexander | Legal Services |
Crew | Jennifer Pyken | Post Production Assistant |
Art | Jonathan R. Hodges | Property Master |
Crew | Warren Betts | Public Relations |
Crew | Bruce Comtois | Security |
Crew | Melanie Molyneux | Set Medic |
Crew | Ken Lesco | Stunt Coordinator |
Crew | Marian Green | Stunts |
Crew | Ben C. Giller | Transportation Captain |
Crew | James Lowder | Transportation Coordinator |
Crew | Marina Bailey | Unit Publicist |
Directing | Jamie Beardsley | First Assistant Director |
Directing | Martin Kitrosser | Script Supervisor |
Editing | Chuck Winston | Color Timer |
Editing | Kelley Dixon | First Assistant Editor |
Lighting | Jay Dahlquist | Best Boy Electric |
Lighting | Joey D. Brown | Electrician |
Lighting | Greg R. McCullough | Gaffer |
Production | Peggy Kennedy | Casting Associate |
Production | Billy A. Fox | Location Manager |
Production | R. Blaine Currier | Production Accountant |
Production | Enid L. Kantor | Production Coordinator |
Sound | Dwayne S. Henkel | Boom Operator |
Sound | John Hulsman | Assistant Sound Editor |
Sound | Ken Segal | Production Sound Mixer |
Sound | Curt Schulkey | Sound Editor |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Crew | Roger Avary | Creator |
Sound | Steve F.B. Smith | Dolby Consultant |
Crew | John Lieberman | Thanks |
Directing | Francis R. Mahony III | First Assistant Director |
Directing | Steven K. Thomas | Second Second Assistant Director |
Writing | Roger Avary | Writer |
Sound | Ron Bartlett | Sound Re-Recording Mixer |
Sound | Geoffrey G. Rubay | Supervising Sound Editor |
Sound | Charles Ewing Smith | Sound Editor |
Sound | David E. Stone | Sound Editor |
Directing | Kelly Kiernan | Second Assistant Director |
Directing | Andy Spilkoman | Second Second Assistant Director |
Art | Jonathan Bobbitt | Swing |
Sound | Nancy Lynn Hurlbut | Assistant Music Supervisor |
Sound | Mary Louise Rodgers | Foley Artist |
Sound | Cecilia Perna | Foley Mixer |
Camera | Dink Adams | Best Boy Grip |
Camera | Dennis K. Wilson | Dolly Grip |
Camera | Randall Guth | Second Assistant Camera |
Editing | Mark Lass | Negative Cutter |
Production | Judith E. Goldman | Assistant Location Manager |
Production | Debra Grieco | Assistant Accountant |
Production | Mary Santiago | Extras Casting |
Crew | Robert John Speer | Generator Operator |
Crew | Pat Domenico | Key Special Effects |
Production | Wendy Baker | Production Assistant |
Directing | Quentin Tarantino | Director |
Art | Ken Kaufman | Production Design |
Costume & Make-Up | Wayne Toth | Special Effects Makeup Artist |
Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
Art | Edward J. Protiva | Swing |
Art | Greg Wilkinson | Assistant Property Master |
Sound | Michael Salvetta | Foley Artist |
Sound | Donald Ortiz | Assistant Sound Editor |
Crew | Moose Enright | Special Effects Technician |
Visual Effects | Dave Gregory | Visual Effects Supervisor |
Crew | Marcia Holley | Stunts |
Crew | Ken Lesco | Stunts |
Crew | Pat McGroarty | Stunts |
Lighting | Katie Nilson | Best Boy Electric |
Camera | Chris J. Rossi | Grip |
Camera | Alan Sherrod | Second Unit Director of Photography |
Camera | Miles Thomas | Best Boy Grip |
Lighting | Frank H. Woodward | Electrician |
Production | Cheryl Faye | Extras Casting |
Costume & Make-Up | Melinda Eshelman | Wardrobe Assistant |
Editing | Carrie Elizabeth Foresman | First Assistant Editor |
Editing | Boyd Steer | Negative Cutter |
Editing | William W. Williams | First Assistant Editor |
Editing | Nancy Perry | First Assistant Editor |
Sound | Kathy Nelson | Music Supervisor |
Crew | Robert John Speer | Driver |
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