Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
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Production | Chris Columbus | Producer |
Directing | Tate Taylor | Director |
Production | Michael Barnathan | Producer |
Production | Brunson Green | Producer |
Camera | Stephen Goldblatt | Director of Photography |
Writing | Tate Taylor | Screenplay |
Costume & Make-Up | Sharen Davis | Costume Design |
Production | Mark Radcliffe | Executive Producer |
Sound | Thomas Newman | Original Music Composer |
Production | Kerry Barden | Casting |
Writing | Kathryn Stockett | Novel |
Editing | Hughes Winborne | Editor |
Production | Jennifer Blum | Executive Producer |
Production | Sonya Lunsford | Co-Producer |
Directing | Cate Hardman | Script Supervisor |
Production | Jeff Skoll | Executive Producer |
Art | Curt Beech | Art Direction |
Production | Mohamed Khalaf Al-Mazrouei | Executive Producer |
Art | Mark Ricker | Production Design |
Production | Paul Schnee | Casting |
Production | John Norris | Executive Producer |
Production | Tate Taylor | Executive Producer |
Sound | Jennifer Hawks | Music Supervisor |
Production | L. Dean Jones Jr. | Executive Producer |
Art | Rena DeAngelo | Set Decoration |
Sound | Dennis Drummond | Supervising Sound Editor |
Costume & Make-Up | Dana Kay Hart | Costume Supervisor |
Sound | Scott Millan | Sound Re-Recording Mixer |
Sound | Scott A. Jennings | Sound Effects Editor |
Lighting | Erik Bernstein | Rigging Gaffer |
Camera | Will Arnot | Camera Operator |
Sound | Andrew Silver | Music Editor |
Sound | Willie D. Burton | Production Sound Mixer |
Costume & Make-Up | Camille Friend | Hair Department Head |
Costume & Make-Up | Brad Wilder | Makeup Department Head |
Production | Nate Berkus | Executive Producer |
Sound | Bill Bernstein | Music Editor |
Production | Russell Allen | Production Coordinator |
Crew | Rocky Capella | Stunt Coordinator |
Camera | Dale Robinette | Still Photographer |
Sound | David Giammarco | Sound Re-Recording Mixer |
Camera | Will Arnot | Steadicam Operator |
Crew | Mark Graziano | Post-Production Manager |
Editing | Curtis Lindersmith | Digital Intermediate |
Costume & Make-Up | Natasha Ladek | Wigmaker |
Crew | Robin Bonaccorsi | Stunts |
Crew | Jwaundace Candece | Stunts |
Crew | Robert Bella | Post Production Supervisor |
Editing | Jim Passon | Color Timer |
Production | Robin Sweet | Unit Production Manager |
Costume & Make-Up | Gloria Belz | Makeup Artist |
Crew | Rex Reddick | Stunt Coordinator |
Costume & Make-Up | Mary Everett | Hairstylist |
Directing | Donald Sparks | Assistant Director |
Lighting | Colin J. Campbell | Lighting Technician |
Crew | Brian McNulty | Post Production Supervisor |
Lighting | Shawn Torge | Electrician |
Art | Kendrick Hudson | Location Scout |
Crew | Robert Cole | Special Effects |
Camera | Khris Bennett | Grip |
Directing | Karen Davis | Second Assistant Director |
Sound | Brian Smith | ADR Mixer |
Production | Adam Cole | Post Production Coordinator |
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