Officially, Apollo 17 was the last manned mission to the moon. But a year later in 1973, three American astronauts were sent on a secret mission to the moon funded by the US Department of Defense. What you are about to see is the actual footage which the astronauts captured on that mission. While NASA denies its authenticity, others say it's the real reason we've never gone back to the moon.
Unfortunately the movie Apollo 18 is not yet available on Netflix. Follow us on Facebook to see when Apollo 18 becomes available on Netflix!
| Production | Timur Bekmambetov | Producer |
| Directing | Gonzalo López-Gallego | Director |
| Writing | Brian Miller | Screenplay |
| Production | Michele Wolkoff | Producer |
| Costume & Make-Up | Beverley Wowchuk | Costume Design |
| Camera | José David Montero | Director of Photography |
| Production | Jennifer Rudnicke | Casting |
| Production | Jenny Jue | Casting |
| Production | Johanna Ray | Casting |
| Editing | Patrick Lussier | Editor |
| Art | Andrew Neskoromny | Production Design |
| Art | Peter Bodnarus | Art Direction |
| Art | Oliver Zentner | Set Decoration |
| Production | Robin D. Cook | Casting |
| Production | Avy Kaufman | Casting |
| Costume & Make-Up | Cynthia Ann Summers | Costume Design |
| Art | Tyler Bishop Harron | Art Direction |
| Art | Erik Gerlund | Set Decoration |
| Costume & Make-Up | Kate Main | Costume Design |
| Production | Maureen Webb | Casting |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Camera | Eike Schroter | Still Photographer |
| Costume & Make-Up | Kai Siperko | Set Costumer |
| Art | Bradly Visser | Sculptor |
| Sound | Katherine Rose | Foley |
| Crew | Koah Kruse | Post Production Supervisor |
| Crew | Matt Tassone | Visual Effects Editor |
| Lighting | Len Wolfe | Best Boy Electric |
| Art | Jesse Joslin | Construction Coordinator |
| Sound | Iain Pattison | Sound Re-Recording Mixer |
| Crew | Randy Lee | Stunt Coordinator |
| Camera | David Bercovici-Artieda | Camera Operator |
| Crew | Mike McDevitt | Chef |
| Directing | Nancy Joy McDonald | Script Supervisor |
| Sound | Onnalee Blank | Sound Re-Recording Mixer |
| Visual Effects | Dennis Sedov | Visual Effects Supervisor |
| Visual Effects | Sergei V. Kuzmin | Visual Effects Producer |
| Camera | Diyah Pera | Still Photographer |
| Visual Effects | Terry Hutcheson | Visual Effects Supervisor |
| Directing | Danielle de Smit | Script Supervisor |
| Camera | Chris Helcermanas-Benge | Still Photographer |
| Crew | Pascal Dagorne | Chef |
| Crew | Elizabeth McLaughlin | Dialect Coach |
| Production | Philip A. Pacaud | Location Manager |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Wylie Stateman | Sound Designer |
| Visual Effects | Shawn Walsh | Visual Effects Supervisor |
| Lighting | John Helme | Best Boy Electric |
| Sound | Meagan Carsience | Music Editor |
| Crew | Jonathan Shore | Post Production Supervisor |
| Art | Bruce Van Slyke | Sculptor |
| Sound | Gary A. Hecker | Foley |
| Crew | Scott J. Ateah | Stunt Coordinator |
| Crew | Maureen Sugrue | Chef |
| Sound | Hal Beckett | Music Editor |
| Sound | Harry Cohen | Sound Designer |
| Crew | James Bamford | Stunt Coordinator |
| Editing | Jay Harada | Digital Intermediate |
| Production | Jamie Goehring | Production Manager |
| Crew | Martine Bilodeau | Scenic Artist |
| Art | John Pesklewis | Sculptor |
| Art | Andy Amoroso | Assistant Art Director |
| Sound | Bill Mellow | Sound Re-Recording Mixer |
| Lighting | Steve McLean | Best Boy Electric |
| Crew | Brian Whitlock | Transportation Coordinator |
| Visual Effects | Pauline Burns | Visual Effects Producer |
| Lighting | Darren McLean | Gaffer |
| Crew | Lisa Ann Beley | Dialect Coach |
| Directing | Laura Collini | Script Supervisor |
| Crew | Hamish Miller | Chef |
| Sound | Jeff Wright | Sound Recordist |
| Art | Valentine Pavuls | Property Master |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Harry Cohen | Original Music Composer |
| Production | Jonathan Shore | Associate Producer |
| Production | Shawn Williamson | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
| Production | Ron Schmidt | Executive Producer |
| Production | Cody Zwieg | Executive Producer |
| Production | Matthew Stein | Executive Producer |
| Production | Harvey Weinstein | Executive Producer |
| Production | Kathleen Switzer | Associate Producer |
| Costume & Make-Up | Joanne Kinchella | Key Makeup Artist |
| Art | Keith McCulloch | Construction Foreman |
| Art | James Dickson | Standby Painter |
| Art | David Curley | Construction Foreman |
| Art | Paxton Downard | Props |
| Camera | Richard Eagan | First Assistant Camera |
| Camera | Lee Gibeau | Grip |
| Crew | Tom O'Donahue | Carpenter |
| Art | Erik Vreeken | Painter |
| Camera | Aristidi Georgiopoulos | First Assistant Camera |
| Crew | Don Gillie | Generator Operator |
| Art | Patrick Latarius | Construction Foreman |
| Lighting | Ross Long | Rigging Grip |
| Lighting | John Spasoff | Rigging Grip |
| Crew | Hugo Mallory | Carpenter |
| Camera | Richard Win | Digital Imaging Technician |
| Camera | Francis Kramer | First Assistant Camera |
| Crew | Mark Roop | Generator Operator |
| Art | Doug Currie | Paint Coordinator |
| Art | Mark Soparlo | Set Designer |
| Camera | Doug Stover | Best Boy Grip |
| Camera | Sasha Chrosiewitz | Grip |
| Camera | Brian A. Kuchera | Key Grip |
| Costume & Make-Up | Nicole Bivens | Key Hair Stylist |
| Camera | Grant Hamakawa | Best Boy Grip |
| Camera | Shawn Montgomery | Dolly Grip |
| Art | Jay Erickson | Construction Buyer |
| Art | Nancy Ford | Draughtsman |
| Camera | Cynthia Greer | Second Assistant "A" Camera |
| Camera | Mike Scoffield | Best Boy Grip |
| Camera | Michelle Ortt | Second Assistant "A" Camera |
| Costume & Make-Up | Marcine Peter | Contact Lens Technician |
| Art | Joe Wolkosky | Draughtsman |
| Camera | Jeremy Spofford | Second Assistant "A" Camera |
| Camera | Artino Ahmadi | Second Assistant "B" Camera |
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