A young black man named Bigger Thomas takes a job working for a highly influential Chicago family, a decision that will change the course of his life forever.
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| Costume & Make-Up | Elizabeth Birkett | Costume Design |
| Art | Kara Martinelli White | Set Decoration |
| Costume & Make-Up | Jada Taylor | Set Costumer |
| Writing | Suzan-Lori Parks | Writer |
| Directing | Rashid Johnson | Director |
| Writing | Richard Wright | Novel |
| Production | Michael Sherman | Producer |
| Production | Matthew Perniciaro | Producer |
| Editing | Brad Turner | Editor |
| Art | Akin McKenzie | Production Design |
| Art | Miles Michael | Art Direction |
| Production | Raylin Sabo | Casting |
| Production | Mary Vernieu | Casting |
| Camera | Matthew Libatique | Director of Photography |
| Sound | Marlowe Taylor | Sound Mixer |
| Sound | Scott Osowski | Boom Operator |
| Lighting | John Turk | Gaffer |
| Camera | Donnie Schneider | Key Grip |
| Costume & Make-Up | Shawna-Nova Foley | Key Costumer |
| Sound | Adam Bennati | Music Coordinator |
| Sound | Howard Paar | Music Supervisor |
| Sound | Kyle Dixon | Original Music Composer |
| Sound | Michael Stein | Original Music Composer |
| Art | Melisa Jusufi | Set Decoration |
| Production | Stephanie Meurer | Executive Producer |
| Production | Matthew Libatique | Co-Producer |
| Costume & Make-Up | Alan Tuskes | Key Makeup Artist |
| Costume & Make-Up | Anouck Sullivan | Makeup Department Head |
| Costume & Make-Up | Korrey Robinson | Hair Department Head |
| Directing | Jake Heineke | Second Assistant Director |
| Directing | Joe Sorzano | Second Second Assistant Director |
| Sound | Ryan Price | Supervising Sound Editor |
| Art | A. Patrick Storey | Property Master |
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