Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
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Directing | John Schlesinger | Director |
Sound | John Barry | Original Music Composer |
Writing | Nathanael West | Novel |
Writing | Waldo Salt | Screenplay |
Camera | Conrad L. Hall | Director of Photography |
Crew | Jeannie Epper | Stunts |
Art | John J. Lloyd | Art Direction |
Art | George James Hopkins | Set Decoration |
Production | Marion Dougherty | Casting |
Art | Richard Macdonald | Production Design |
Editing | Jim Clark | Editor |
Crew | Gene LeBell | Stunts |
Art | Dan Perri | Title Designer |
Sound | Tom Overton | Sound Recordist |
Sound | Gerry Humphreys | Sound Mixer |
Production | Michael Childers | Associate Producer |
Costume & Make-Up | Lynn Del Kail | Hair Designer |
Sound | David Campling | Sound Editor |
Directing | Tim Zinnemann | Assistant Director |
Directing | Karen Hale Wookey | Script Supervisor |
Crew | Marge Champion | Choreographer |
Production | Sheldon Schrager | Associate Producer |
Lighting | Richard Martens | Gaffer |
Production | Dianne Crittenden | Casting |
Production | Jerome Hellman | Producer |
Costume & Make-Up | Ann Roth | Costume Designer |
Production | Sheldon Schrager | Unit Production Manager |
Crew | Phil Adams | Stunt Coordinator |
Visual Effects | Albert Whitlock | Visual Effects |
Costume & Make-Up | Del Armstrong | Makeup Designer |
Camera | Thomas Laughridge | Camera Operator |
Crew | Tim Smyth | Special Effects |
Camera | Dave Friedman | Still Photographer |
Crew | Michael Maslansky | Unit Publicist |
Art | Allan Gordon | Property Master |
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