An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
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| Art | Kevin Day | Standby Property Master |
| Writing | Richard Eyre | Writer |
| Directing | Richard Eyre | Director |
| Production | Sharon Moran | Production Manager |
| Art | Peter Francis | Production Design |
| Art | Charlotte Dirickx | Set Decoration |
| Production | Colin Callender | Executive Producer |
| Production | Ben Gladstone | Location Manager |
| Production | Nina Gold | Casting Director |
| Production | Scott Huff | Executive Producer |
| Crew | Gisela Evert | Post Production Supervisor |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Costume & Make-Up | Tessa Phillips | Costume Supervisor |
| Art | Matt Curtis | Title Designer |
| Sound | Simon Clark | Production Sound Mixer |
| Editing | Dan Farrell | Editor |
| Costume & Make-Up | Doone Forsyth | Makeup & Hair |
| Costume & Make-Up | Sara Kramer | Key Hairdresser |
| Costume & Make-Up | Fotini Dimou | Costume Design |
| Production | Sonia Friedman | Executive Producer |
| Directing | Karen Savage | Script Supervisor |
| Sound | Emilie O'Connor | ADR Editor |
| Directing | Nick Shuttleworth | First Assistant Director |
| Sound | Stephen Warbeck | Original Music Composer |
| Production | Laura Macara | Executive Producer |
| Directing | Luc Gavigan | Third Assistant Director |
| Costume & Make-Up | Lolly Goodship | Makeup & Hair |
| Sound | Brendan Nicholson | Sound Re-Recording Mixer |
| Costume & Make-Up | Naomi Donne | Hair Designer |
| Writing | William Shakespeare | Theatre Play |
| Art | Astrid Sieben | Art Direction |
| Sound | Emilie O'Connor | Dialogue Editor |
| Production | Michelle Mullen | Line Producer |
| Costume & Make-Up | Sara Kramer | Key Makeup Artist |
| Editing | Helena Evans | Assistant Editor |
| Production | Noëlette Buckley | Producer |
| Directing | Alex Gavigan | Second Assistant Director |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Production | Lucy Richer | Executive Producer |
| Camera | Ben Smithard | Director of Photography |
| Production | Fergus Haycock | Executive Producer |
| Production | Elyse Dolbec | Associate Producer |
| Crew | Annabelle Hood | Floor Runner |
| Sound | Mark Heslop | Sound Effects Editor |
| Crew | Sam Dormer | Armorer |
| Production | Martin Ware | Casting Associate |
| Crew | Rachel McLean | Set Medic |
| Production | Lauren Evans | Casting Associate |
| Sound | Zoe Freed | Foley Artist |
| Art | Sam Farr | Set Dresser |
| Crew | Andreas Petrides | Stunt Coordinator |
| Costume & Make-Up | Laura Panayiotou | Tailor |
| Art | Paul Carter | Property Master |
| Sound | Sam Walsh | Foley Mixer |
| Camera | Arron Monkman | Second Assistant "A" Camera |
| Sound | Lewis Morison | Music Editor |
| Lighting | Richard Harrowing | Electrician |
| Visual Effects | Chiara Finello | Visual Effects Coordinator |
| Sound | Glen Gathard | Foley Editor |
| Visual Effects | Mark Wellband | Visual Effects Producer |
| Lighting | Michael McDermott | Gaffer |
| Camera | Simon Baker | Steadicam Operator |
| Camera | John L. Wilson | Still Photographer |
| Camera | Lorena Pagés | Second Assistant "B" Camera |
| Production | Martin Walker | Unit Manager |
| Camera | Moe Owoborode | Camera Trainee |
| Lighting | Pawel Polak | Lighting Technician |
| Sound | Jason Swanscott | Foley Artist |
| Sound | Peter Burgis | Foley Artist |
| Sound | Adam Oakley | Foley Editor |
| Camera | Tristan Haley | First Assistant "A" Camera |
| Lighting | James Smith-Pryor | Rigging Gaffer |
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