Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.
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Directing | Dennison Ramalho | Director |
Writing | Cláudia Jouvin | Screenplay |
Writing | Dennison Ramalho | Screenplay |
Camera | Guilherme Menegotto | Best Boy Grip |
Visual Effects | Mina Kadry | Digital Compositor |
Production | Laura Futuro | Post Production Coordinator |
Camera | Arno Schuh | First Assistant Camera |
Visual Effects | Livia Accioly Nunes | Visual Effects |
Visual Effects | Hugo Gurgel | Visual Effects Producer |
Sound | Caio Guerin | Sound Re-Recording Mixer |
Directing | Daniela Strack | Script Supervisor |
Sound | Manon Ribat | Sound Editor |
Production | Karlla Guerra | Post Producer |
Visual Effects | Rodrigo Ridolpho | Visual Effects |
Visual Effects | Guilherme Bermud | Digital Compositor |
Visual Effects | Matheus Freitas | Rotoscoping Artist |
Visual Effects | Lucas Sousa | Digital Compositor |
Visual Effects | Wildson Chinaglia | Visual Effects |
Visual Effects | Núbia Teixeira | Visual Effects Assistant Editor |
Costume & Make-Up | Deby Marques | Assistant Makeup Artist |
Lighting | Wolmar Beck | Gaffer |
Visual Effects | Renato Montoro | Digital Compositor |
Visual Effects | Arthur Gallindo | Digital Compositor |
Production | Glauco Urbim | Production Manager |
Directing | Laura Mansur | First Assistant Director |
Crew | André Faccioli | Cinematography |
Art | Fábio Goldfarb | Production Design |
Costume & Make-Up | Britney Federline | Special Effects Makeup Artist |
Art | Marcos Rohrig | Set Designer |
Crew | Fabio Calciolari | CG Supervisor |
Sound | Armando Torres Jr. | Sound Re-Recording Mixer |
Editing | Jair Peres | Editor |
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