Los Angeles S.W.A.T. officer, Lt. Paul Cutler, is sent to train the Detroit S.W.A.T. team on new anti-terrorism and homeland security techniques. Cutler has a hard time settling into his assignment as he locks horns with his new captain and encounters resistance from the team he must lead. Cutler begins to adjust to his new assignment, starting a budding romance with police psychologist Kim Byers along the way. Unexpectedly, a routine hostage call turns deadly, and a relentless ex-government agent named Walter Hatch vows revenge on Cutler and the entire S.W.A.T. team for killing the woman he loves. Cutler must use his considerable S.W.A.T. training and knowledge to save his teammates and defeat a trained killer.
Is S.W.A.T.: Firefight on Netflix? Yes! The movie S.W.A.T.: Firefight is now on Netflix in the countries listed below.
| Directing | Benny Boom | Director |
| Writing | Reed Steiner | Screenplay |
| Production | Amanda Lewis | Producer |
| Production | Neal H. Moritz | Producer |
| Production | Scott Putman | Executive Producer |
| Camera | Don Davis | Director of Photography |
| Production | Benny Boom | Co-Producer |
| Writing | Reed Steiner | Story |
| Writing | Randy Walker | Story |
| Writing | Michael Albanese | Story |
| Writing | Ed Arneson | Story |
| Production | Rui Costa Reis | Executive Producer |
| Production | Eliad Josephson | Executive Producer |
| Production | Jeni Mulein | Co-Producer |
| Production | Dyan Traynor | Co-Producer |
| Sound | John Paesano | Music |
| Crew | Troy Gilbert | Stunts |
| Art | Bruton Jones | Production Design |
| Art | Selina van den Brink | Set Decoration |
| Costume & Make-Up | Francine Jamison-Tanchuck | Costume Design |
| Costume & Make-Up | Kimberly Jones | Makeup Department Head |
| Costume & Make-Up | Jayne Laube | Key Makeup Artist |
| Costume & Make-Up | Jeannette Moriarty | Key Hair Stylist |
| Costume & Make-Up | John Tarro | Hair Department Head |
| Production | Daniel A. Mondschain | Production Supervisor |
| Directing | Mike Ellis | First Assistant Director |
| Art | Sean Clouser | Construction Coordinator |
| Art | Sarah M. Pott | Set Designer |
| Art | Vicki Stefanopoulos | Art Department Coordinator |
| Sound | Dean Andre | Sound Recordist |
| Sound | Benjamin L. Cook | Supervising Sound Editor |
| Sound | Craig Dollinger | Boom Operator |
| Sound | Joe Dzuban | Supervising Sound Editor |
| Sound | Jeffrey A. Pitts | Sound Effects Editor |
| Sound | Trent Richmond | Foley Editor |
| Sound | Jacob Riehle | Dialogue Editor |
| Sound | Tim Tuchrello | Sound Editor |
| Visual Effects | Russell Tyrrell | Special Effects Supervisor |
| Crew | Richard L. Hill | Pyrotechnician |
| Visual Effects | Joe Pancake | Pyrotechnic Supervisor |
| Visual Effects | Paul Andraos | Visual Effects Producer |
| Visual Effects | Cyryl Koshyk | Visual Effects Supervisor |
| Lighting | Michael W. Anderson | Lighting Technician |
| Camera | Christopher Bottoms | Camera Operator |
| Lighting | Michael J. Conner | Best Boy Electric |
| Camera | William Eichler | Steadicam Operator |
| Camera | Alicia Gbur | Still Photographer |
| Camera | Kevin D. Hewitt | Camera Operator |
| Camera | Erik F. Hill | Dolly Grip |
| Camera | Andy Hoehn | First Assistant Camera |
| Camera | Reed Koppen | First Assistant Camera |
| Lighting | Anthony 'Spike' Simms | Gaffer |
| Costume & Make-Up | Stanley Moore | Costume Supervisor |
| Costume & Make-Up | Vicente Parada | Key Costumer |
| Production | Michael S. Jones | Location Manager |
| Production | Bridget Reddeman | Location Manager |
| Sound | Kier Lehman | Music Supervisor |
| Sound | Greg Vines | Music Editor |
| Crew | Sam Arthurs | Armorer |
| Crew | Jessica Harbeck | Stunt Double |
| Crew | Mike Smith | Stunt Coordinator |
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