After a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors. Lizzie feels sure that during the 184 seconds that she lay dead, something latched on to her and came back into her world. The nightmares and visions that follow only crystallize her belief that she should have died in the crash... Then the disturbances start, at first merely tappings and bad smells - but soon the activity escalates. Lizzie seems to be the focus, but according to others, she's just playing games for attention. Only when Kate, her mother, is confronted with inexplicable events does she face the possibility that they may be the victims of a poltergeist infestation
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Directing | Geneviève Jolliffe | Director |
Writing | Geneviève Jolliffe | Writer |
Costume & Make-Up | Stuart Conran | Prosthetics |
Costume & Make-Up | Linda Haysman | Costume Design |
Writing | Chris Jones | Writer |
Production | Ian Hierons | Associate Producer |
Production | Chris Jones | Producer |
Production | David Hardwick | Executive Producer |
Editing | Eddie Hamilton | Editor |
Costume & Make-Up | Sarah Peirce | Makeup Artist |
Sound | Rupert Gregson-Williams | Original Music Composer |
Directing | Chris Jones | Second Unit Director |
Sound | Tim Cavagin | Sound Re-Recording Mixer |
Sound | Simon Cox | Assistant Foley Artist |
Production | Catherine Arton | Casting |
Production | David Higginson | Production Manager |
Sound | Steph Baldini | Sound Recordist |
Art | Alice Norris | Art Direction |
Costume & Make-Up | Xanthia White | Makeup Designer |
Camera | Jon Walker | Director of Photography |
Sound | Eddie Hamilton | Sound Designer |
Sound | Trevor Moore | Sound Assistant |
Art | Chris Burridge | Set Decoration |
Costume & Make-Up | Philip Mathews | Prosthetics |
Sound | Trevor Shawcross | Foley Mixer |
Sound | Diane Greaves | Foley Artist |
Art | Simon Pickup | Production Design |
Sound | Guy Fletcher | Original Music Composer |
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