It is no wonder that Met audiences have gone wild over Karita Mattila’s sizzling Salome. Indisputably one of the greatest Salomes of our time, Mattila utterly incarnates Oscar Wilde’s petulant, willful, and lust-driven heroine. With Strauss’s groundbreaking music magnifying the degenerate atmosphere and building the erotic tension, this is one opera that is as shocking today as it was at its premiere in 1905.
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Sound | Patrick Summers | Conductor |
Writing | Hedwig Lachmann | Writer |
Crew | Doug Varone | Choreographer |
Production | Louisa Briccetti | Producer |
Directing | Barbara Willis Sweete | Director |
Production | Peter Gelb | Executive Producer |
Costume & Make-Up | Santo Loquasto | Costume Designer |
Lighting | James F. Ingalls | Lighting Design |
Art | Santo Loquasto | Set Designer |
Production | Mia Bongiovanni | Supervising Producer |
Art | Jürgen Flimm | Production Design |
Production | Victoria Warivonchik | Producer |
Sound | Richard Strauss | Original Music Composer |
Sound | Jay David Saks | Music Producer |
Crew | Ron Washburn | Technical Supervisor |
Production | Elena Park | Supervising Producer |
Writing | Oscar Wilde | Theatre Play |
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