The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.
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Art | Anton Krajčovič | Production Design |
Directing | Anton Ivančo | First Assistant Director |
Production | Július Novák | Unit Production Manager |
Editing | Bedřich Voděrka | Editor |
Sound | Milan Hurtig | Sound Assistant |
Costume & Make-Up | Emília Bobeková | Makeup & Hair |
Sound | Ondrej Polomský | Sound |
Production | Ján Tomaškovič | Production Manager |
Art | Jozef Suchý | Property Master |
Lighting | Milan Kovačič | Gaffer |
Art | Miloš Kalina | Assistant Production Design |
Costume & Make-Up | Júlia Morvicová | Costumer |
Production | Vojtech Brázdovič | Production Assistant |
Camera | Mária Žajdlíková | Clapper Loader |
Costume & Make-Up | Milena Doskočová | Costumer |
Editing | Mária Inczeová | Assistant Editor |
Writing | Ivan Stadtrucker | Story |
Art | Cyril Kafana | Props |
Sound | Tibor Michalčík | Sound Assistant |
Directing | Jozef Novan | First Assistant Director |
Art | Pavol Zvozil | Props |
Art | Andrej Rudavský | Sculptor |
Costume & Make-Up | Mária Rudavská | Costume Design |
Camera | Benedikt Krivošík | Camera Operator |
Crew | Klotilda Kováčová | Script |
Costume & Make-Up | Božena Doktorová | Makeup & Hair |
Production | Ľubomír Holec | Line Producer |
Writing | Eduard Grečner | Screenplay |
Sound | Ilja Zeljenka | Original Music Composer |
Camera | Vladimír Ondruš | Assistant Camera |
Sound | Bohumír Brunclík | Sound Effects |
Directing | Eduard Grečner | Director |
Camera | Vincent Rosinec | Director of Photography |
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