In 1934, J. Edgar Hoover and the boys made headlines for mowing down John Dillinger in a hail of bullets outside Chicago's Biograph theater. But in fact, according to this Jon Purdy gangster thriller, the Feds iced Dillinger's brother. Fast-forward five years, when mobster kingpin Al Capone (F. Murray Abraham) gives the real Dillinger (Martin Sheen) an offer he can't refuse: rob millions from a secluded vault or watch his wife and child get whacked.
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| Directing | Jon Purdy | Director |
| Camera | Kenji Luster | Steadicam Operator |
| Directing | Ross Novie | Second Assistant Director |
| Production | Marta M. Mobley | Production Coordinator |
| Crew | Jan Kikumoto | Post Production Supervisor |
| Crew | Ross McDonald | Stunts |
| Production | Mike Upton | Unit Production Manager |
| Directing | Sholto J. Roeg | Second Assistant Director |
| Directing | Eva Franzen | Second Second Assistant Director |
| Sound | Paul Di Franco | Music Supervisor |
| Camera | Gerry O'Malley | First Assistant Camera |
| Camera | Brooks Robinson | Steadicam Operator |
| Directing | Kelly Akers | Script Supervisor |
| Crew | Patrick J. Statham | Stunt Coordinator |
| Camera | Kiely Cronin | First Assistant "B" Camera |
| Sound | Marydixie Kirkpatrick | Boom Operator |
| Camera | Steven A. Adelson | Steadicam Operator |
| Crew | Skip Kimball | Telecine Colorist |
| Editing | Brett Hedlund | Assistant Editor |
| Editing | Morgan Beatty | Assistant Editor |
| Art | Patrick M. Sullivan | Set Designer |
| Sound | Nick Boswell | Foley Artist |
| Art | Helen Gabrielle Gliniak | Assistant Art Director |
| Sound | Camilla Mauritzson Skjaerbaek | Sound Effects Editor |
| Costume & Make-Up | Nicola Zvorsky | Assistant Makeup Artist |
| Production | Michael Kuge | Post Production Coordinator |
| Sound | Camilla Mauritzson Skjaerbaek | Sound Re-Recording Mixer |
| Costume & Make-Up | Ron Durant | On Set Dresser |
| Sound | Ken Regan | Sound Re-Recording Mixer |
| Costume & Make-Up | Diana Ragland | Key Makeup Artist |
| Sound | Christopher M. Taylor | Sound Mixer |
| Directing | John Nelson | First Assistant Director |
| Camera | Shereen Saleh | Second Assistant Camera |
| Sound | Merry Cheers | ADR Mixer |
| Production | Jeff Gould | Casting Assistant |
| Sound | Michael Clark | ADR Editor |
| Sound | Merry Cheers | Foley Recordist |
| Sound | Diane Parrino | Foley Artist |
| Camera | Andrea V. Rossotto | Second Unit Director of Photography |
| Sound | Merry Cheers | Foley Editor |
| Camera | Bruce Heinsius | Still Photographer |
| Editing | Bob Fredrickson | Color Timer |
| Production | Jeffrey Morgan | Casting Assistant |
| Production | Charles Matthews | Extras Casting |
| Production | Jerry Whitworth | Casting Assistant |
| Sound | Renee Sabath | Foley Artist |
| Crew | Kevin McCarthy | Pyrotechnician |
| Sound | Butch Johnson | Dialogue Editor |
| Sound | Ken Regan | Sound Effects Editor |
| Production | Roger Corman | Executive Producer |
| Production | Mike Elliott | Producer |
| Production | Chris Naumann | Executive Producer |
| Editing | Norman Buckley | Editor |
| Art | Robert de Vico | Production Design |
| Production | Lewis A. Green | Co-Producer |
| Art | Joyce Anne Gilstrap | Set Decoration |
| Sound | David Wurst | Original Music Composer |
| Sound | Eric Wurst | Original Music Composer |
| Writing | Michael B. Druxman | Writer |
| Production | Chris Peschken | Executive Producer |
| Production | Jan Glaser | Casting |
| Camera | John B. Aronson | Director of Photography |
| Art | Nava | Art Direction |
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