Friday Foster, a magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called "Black Widow".
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| Directing | Arthur Marks | Director |
| Writing | Orville H. Hampton | Screenplay |
| Writing | Arthur Marks | Story |
| Costume & Make-Up | Louis Lane | Makeup Artist |
| Costume & Make-Up | Bob Westmoreland | Makeup Artist |
| Production | Morris R. Abrams | Unit Manager |
| Production | Beau Marks | Production Supervisor |
| Production | Charles Stroud | Executive In Charge Of Production |
| Directing | Gene De Ruelle | Assistant Director |
| Crew | Greg Auer | Propmaker |
| Art | Tommy Estridge | Set Dresser |
| Art | Phil Macaluso | Property Master |
| Sound | Chic Borland | Boom Operator |
| Sound | George Malley | Sound Mixer |
| Sound | John Post | Sound Effects |
| Crew | Dick Geary | Stunt Coordinator |
| Crew | Jadie David | Stunts |
| Costume & Make-Up | Izzy Berne | Wardrobe Master |
| Camera | Frank Keever | Key Grip |
| Lighting | Gary Haselbusch | Gaffer |
| Camera | James R. Connell | Camera Operator |
| Directing | Gordon Otto | Script Supervisor |
| Crew | Joel Marrow | Transportation Captain |
| Crew | Joseph Sullivan | Driver |
| Crew | Jerry Reilich | Craft Service |
| Production | James Cone | Production Assistant |
| Production | Michael Neale | Production Assistant |
| Production | Jude Walden | Production Secretary |
| Production | Dave Wilder | Production Assistant |
| Production | David Sheldon | Production Executive |
| Writing | Jim Lawrence | Comic Book |
| Production | Arthur Marks | Producer |
| Camera | Harry J. May | Director of Photography |
| Editing | Stanley Frazen | Editor |
| Sound | Luchi De Jesus | Original Music Composer |
| Production | Geno Havens | Casting |
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