Friday Foster, a magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called "Black Widow".
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| Directing | Arthur Marks | Director |
| Writing | Orville H. Hampton | Screenplay |
| Writing | Arthur Marks | Story |
| Sound | Chic Borland | Boom Operator |
| Directing | Gene De Ruelle | Assistant Director |
| Production | Morris R. Abrams | Unit Manager |
| Production | Beau Marks | Production Supervisor |
| Costume & Make-Up | Bob Westmoreland | Makeup Artist |
| Art | Tommy Estridge | Set Dresser |
| Sound | George Malley | Sound Mixer |
| Costume & Make-Up | Louis Lane | Makeup Artist |
| Crew | Greg Auer | Propmaker |
| Art | Phil Macaluso | Property Master |
| Production | Charles Stroud | Executive In Charge Of Production |
| Costume & Make-Up | Izzy Berne | Wardrobe Master |
| Production | James Cone | Production Assistant |
| Sound | John Post | Sound Effects |
| Crew | Joel Marrow | Transportation Captain |
| Directing | Gordon Otto | Script Supervisor |
| Lighting | Gary Haselbusch | Gaffer |
| Camera | James R. Connell | Camera Operator |
| Crew | Joseph Sullivan | Driver |
| Production | Dave Wilder | Production Assistant |
| Crew | Jerry Reilich | Craft Service |
| Production | David Sheldon | Production Executive |
| Crew | Dick Geary | Stunt Coordinator |
| Camera | Frank Keever | Key Grip |
| Crew | Jadie David | Stunts |
| Production | Michael Neale | Production Assistant |
| Production | Jude Walden | Production Secretary |
| Camera | Harry J. May | Director of Photography |
| Production | Arthur Marks | Producer |
| Editing | Stanley Frazen | Editor |
| Writing | Jim Lawrence | Comic Book |
| Sound | Luchi De Jesus | Original Music Composer |
| Production | Geno Havens | Casting |
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