Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
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| Writing | Michael Blake | Screenplay |
| Sound | John Barry | Original Music Composer |
| Production | Elisabeth Leustig | Casting |
| Editing | Neil Travis | Editor |
| Production | Kevin Costner | Producer |
| Art | Lisa Dean | Set Decoration |
| Production | Jim Wilson | Producer |
| Costume & Make-Up | Elsa Zamparelli | Costume Design |
| Directing | Kevin Costner | Director |
| Editing | William Hoy | Editor |
| Editing | Steve Potter | Editor |
| Camera | Dean Semler | Director of Photography |
| Art | Jeffrey Beecroft | Production Design |
| Art | Scott A. Stephens | Property Master |
| Costume & Make-Up | Linda Bowman | Assistant Hairstylist |
| Costume & Make-Up | Patricia Carrisosa | First Assistant Makeup Artist |
| Costume & Make-Up | Tea Jay Glass | Assistant Makeup Artist |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Costume & Make-Up | Deborah Mills-Whitlock | Assistant Hairstylist |
| Costume & Make-Up | Tammy Ashmore | Assistant Makeup Artist |
| Costume & Make-Up | Karin Hayes | Assistant Makeup Artist |
| Costume & Make-Up | Linda Peterson | Assistant Hairstylist |
| Costume & Make-Up | Heather Matisoff | Assistant Hairstylist |
| Costume & Make-Up | Beth Miller | Assistant Hairstylist |
| Costume & Make-Up | Terri Goett | Assistant Makeup Artist |
| Costume & Make-Up | Tamara Guthrie | Key Hair Stylist |
| Camera | Joe Sanchez | Assistant Camera |
| Directing | John Huneck | Second Unit Director |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Crew | Reed A. Finch | Carpenter |
| Camera | William Eddie Paul | Grip |
| Camera | Henry Tirl | Assistant Camera |
| Camera | John Huneck | Second Unit Director of Photography |
| Camera | Doug Cowden | Grip |
| Camera | William 'Bear' Paul | Key Grip |
| Costume & Make-Up | Ron Beebe | Costume Assistant |
| Crew | Patrick Mollman | Carpenter |
| Sound | Chris Jargo | ADR Editor |
| Camera | Philip C. Pfeiffer | Second Unit Director of Photography |
| Crew | Kerry J. Frosh | Carpenter |
| Sound | Russell Williams II | Production Sound Mixer |
| Directing | Doug Metzger | First Assistant Director |
| Camera | Dudley J. Voll | Second Assistant Camera |
| Production | Rene Haynes | Extras Casting |
| Production | Ka-Mook Nichols | Extras Casting Assistant |
| Camera | Fred L. McLane | Assistant Camera |
| Art | James Allen Bradley | Swing |
| Sound | Justine Turner | Assistant Sound Editor |
| Directing | Stephen P. Dunn | Second Assistant Director |
| Sound | Howard Gindoff | Sound Editor |
| Sound | Bruce Stubblefield | Sound Editor |
| Production | Stacy Hartley | Production Secretary |
| Art | Jay Johnson | Title Designer |
| Lighting | Michael C. Blundell | Electrician |
| Camera | Mark Davison | First Assistant Camera |
| Camera | Tony DeVito | Grip |
| Art | Marvin Holy | Standby Carpenter |
| Art | Darryl Hayes | Swing |
| Art | Dayna Lee | Set Dresser |
| Art | Paul Arthur Hartman | Set Dresser |
| Camera | Jimmy E. Jensen | First Assistant Camera |
| Camera | Lyle Ehlers | Grip |
| Production | Catherine 'Kitty' Duffy | Extras Casting Assistant |
| Sound | Doc Kane | ADR Mixer |
| Lighting | Raymond Gonzales | Electrician |
| Art | Robert Des Jarlais | Standby Carpenter |
| Camera | Lee Blasingame | First Assistant Camera |
| Costume & Make-Up | Susan Brown | Costume Assistant |
| Art | John C. Cameron | Assistant Property Master |
| Camera | Kim Heath | Best Boy Grip |
| Camera | John W. Murphy | Dolly Grip |
| Art | Al Eylar | Construction Foreman |
| Art | Ron Ashmore | Lead Painter |
| Camera | Bryon Bower | Grip |
| Camera | Michael Dunson | Grip |
| Art | Jay B. Curry | Swing |
| Sound | Dan O'Connell | Foley Artist |
| Crew | Albert White Hat | Dialogue Coach |
| Art | Jim Hill | Construction Foreman |
| Sound | John Duvall | Foley Editor |
| Crew | Larry Belitz | Technical Advisor |
| Art | David L. Aaron | Title Designer |
| Sound | Mary Jo Devenney | Production Sound Mixer |
| Sound | Rubén Domingo | Assistant Sound Editor |
| Sound | Linda Moss | Sound Editor |
| Production | Chris Romberg | Post Production Accountant |
| Sound | Ed Fassl | Sound Editor |
| Sound | Jeff Rosen | Sound Editor |
| Crew | Dan Wesson | Animal Wrangler |
| Crew | Doris Leader Charge | Dialogue Coach |
| Sound | Albert Gasser | Sound Editor |
| Crew | Cathy Smith | Technical Advisor |
| Crew | S. Fox Sloan | Animal Wrangler |
| Sound | Timothy A. Hoggatt | Foley Mixer |
| Sound | Barbara Barnaby | Supervising ADR Editor |
| Production | Doris Hartley | Production Coordinator |
| Crew | Lee Loesch | Cableman |
| Crew | Gary E. Pfaff | Pilot |
| Sound | Joel Berkovitz | Foley Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Editing | Gary Burritt | Negative Cutter |
| Directing | Angela Robinson | Script Supervisor |
| Art | William Ladd Skinner | Art Direction |
| Crew | Wayne Jones | Transportation Co-Captain |
| Editing | Chip Masamitsu | Editor |
| Crew | Jonathan A. Rosenfeld | Transportation Captain |
| Sound | Robert Fitzgerald | Sound Designer |
| Crew | Robbie Knott | Special Effects |
| Sound | Albert Aquino | Boom Operator |
| Crew | David Siegel | Transportation Coordinator |
| Art | Stephanie Waldron | Greensman |
| Costume & Make-Up | Birgitta Bjerke | Costume Supervisor |
| Art | Ben Zeller | Construction Coordinator |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Gordon | Set Costumer |
| Crew | Erik Rondell | Stunts |
| Costume & Make-Up | Joani Yarbrough | Hairstylist |
| Production | Tim Wilson | Location Manager |
| Camera | S. Phillip Sparks | Additional Camera |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Production | John T. Haun | Production Accountant |
| Lighting | Víctor Pérez | Gaffer |
| Crew | Norman Howell | Stunt Coordinator |
| Camera | Ben Glass | Still Photographer |
| Sound | Jeffrey Perkins | Sound Re-Recording Mixer |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Lighting | Marc Wostak | Best Boy Electric |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Sound | Hari Ryatt | Supervising Sound Editor |
| Art | Patrick Cassidy | Leadman |
| Sound | Robert Fitzgerald | Supervising Sound Editor |
| Crew | Peter Haas | Unit Publicist |
| Sound | Cliff Kohlweck | Music Editor |
| Camera | J. Michael Muro | Camera Operator |
| Camera | J. Michael Muro | Steadicam Operator |
| Production | Derek Kavanagh | Unit Production Manager |
| Visual Effects | Paul Curley | Visual Effects |
| Crew | Michael J. Harker | Post Production Supervisor |
| Production | Jory Weitz | Casting |
| Editing | Robert C. Lusted | Assistant Editor |
| Production | Jake Eberts | Executive Producer |
| Editing | Mike Stanwick | Color Timer |
| Visual Effects | Matthew Yuricich | Visual Effects |
| Production | Rene Haynes | Casting |
| Visual Effects | Robert D. Bailey | Visual Effects |
| Production | Bonnie Arnold | Associate Producer |
| Crew | Kevin Reynolds | Thanks |
| Crew | Billy Joe Fredericks | Stunts |
| Sound | Tommy Morgan | Additional Soundtrack |
| Directing | Jan Evans | Script Supervisor |
| Sound | John Coinman | Music Supervisor |
| Crew | Blair Forward | Playback Coordinator |
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