The greedy nephew of eccentric Matilda Reid seeks to have her judged incompetent so he can administer her wealth, but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?
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| Writing | Laurence Stallings | Screenplay |
| Directing | Edwin L. Marin | Director |
| Writing | Arch Oboler | Story |
| Camera | Gordon Avil | Director of Photography |
| Sound | David Chudnow | Music Supervisor |
| Production | Benedict Bogeaus | Producer |
| Art | Gene Redd | Set Decoration |
| Costume & Make-Up | Greta | Wardrobe Designer |
| Costume & Make-Up | Otis Malcolm | Makeup Artist |
| Costume & Make-Up | Jerry Bos | Wardrobe Designer |
| Production | Carley Harriman | Producer's Assistant |
| Sound | Heinz Roemheld | Music |
| Directing | Joseph Depew | Assistant Director |
| Art | Ernst Fegté | Art Direction |
| Sound | William H. Lynch | Sound Technical Supervisor |
| Sound | Herschel Burke Gilbert | Orchestrator |
| Production | Arthur M. Landau | Production Assistant |
| Costume & Make-Up | Scotty Rackin | Hairdresser |
| Crew | John Daheim | Stunt Double |
| Production | Kenneth Walters | Production Manager |
| Crew | Benedict Bogeaus | Presenter |
| Editing | James Smith | Editor |
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