Erik Blake has gathered three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter’s apartment in lower Manhattan. As darkness falls outside and eerie things start to go bump in the night, the group’s deepest fears are laid bare.
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| Sound | Tammy Douglas | Sound Mixer |
| Directing | Kether Abeles | Second Assistant Director |
| Art | Ali Kashfi | Concept Artist |
| Sound | José Frías | Utility Sound |
| Sound | Igor Nikolic | Foley Editor |
| Crew | Neimah Djourabchi | Stunts |
| Camera | Loïc de Lame | Digital Imaging Technician |
| Crew | David Gojdic | Scenic Artist |
| Crew | Monk Hooper | Scenic Artist |
| Art | Ada Mitchev | Assistant Art Director |
| Sound | Kenneth Wilkinson | Utility Sound |
| Camera | Shauna Terruso | Grip |
| Production | Kerry Johnson | Production Supervisor |
| Sound | Libero Colimberti | Boom Operator |
| Costume & Make-Up | Natasha Simchowitz | Costume Assistant |
| Art | Abigail Udden | Art Department Coordinator |
| Crew | Corey Pierno | Stunts |
| Directing | Vic Coram | Second Second Assistant Director |
| Art | Mattie Siegal | Set Decoration Buyer |
| Costume & Make-Up | Lucy Cobbs | Key Costumer |
| Crew | Drew Leary | Stunt Coordinator |
| Editing | Patrice Bowman | Dailies Technician |
| Lighting | Jerad Molkenthin | Gaffer |
| Art | Jessie Pellegrino | Assistant Property Master |
| Art | Joel Weaver | Property Master |
| Sound | Chris Chae | Additional Sound Re-Recording Mixer |
| Sound | Jay Peck | Foley Artist |
| Production | Tom Dunn | Location Manager |
| Lighting | Jonathan Fernandez | Electrician |
| Editing | Peter Boychuk | Digital Intermediate Producer |
| Directing | Chris Carroll | First Assistant Director |
| Sound | Daniel Brooks | Boom Operator |
| Sound | Toussaint Kotright | Utility Sound |
| Production | Meredith Jacobson Marciano | Extras Casting |
| Lighting | Sean Feehan | Rigging Gaffer |
| Camera | Wilson Webb | Still Photographer |
| Lighting | Callum Shaw | Best Boy Electric |
| Camera | Andrew Juhl | First Assistant Camera |
| Production | Rory D. Smith | Production Accountant |
| Camera | Gregory Principato | Camera Operator |
| Directing | T.J. Larson | Script Supervisor |
| Lighting | Daniel Letizia | Key Rigging Grip |
| Editing | Roman Hankewycz | Colorist |
| Costume & Make-Up | Kyra Panchenko | Makeup Department Head |
| Costume & Make-Up | Mia Neal | Hair Department Head |
| Visual Effects | James McEvitt | Visual Effects Producer |
| Costume & Make-Up | April Townes | Key Makeup Artist |
| Production | Jeffrey Penman | Associate Producer |
| Visual Effects | Djuna Wahlrab | Visual Effects Supervisor |
| Visual Effects | Gabriel Regentin | Visual Effects Supervisor |
| Sound | Paul Urmson | Sound Designer |
| Sound | Paul Urmson | Sound Re-Recording Mixer |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Skip Lievsay | Sound Re-Recording Mixer |
| Sound | Nico Muhly | Original Music Composer |
| Crew | Kenzi Parker | Compositor |
| Writing | Stephen Karam | Screenplay |
| Writing | Stephen Karam | Theatre Play |
| Production | Louise Lovegrove | Executive Producer |
| Art | Imogen Lee | Set Decoration |
| Directing | Stephen Karam | Director |
| Art | David Gropman | Production Design |
| Editing | Nick Houy | Editor |
| Costume & Make-Up | Ann Roth | Costume Design |
| Art | Karen Schulz Gropman | Art Direction |
| Camera | Lol Crawley | Director of Photography |
| Production | Tori Smith | Production Assistant |
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