A detective is hired by a rich woman to find her runaway step-sister. Little does he know that the step-sister is actually being held by a cult of women who seek to propagate their male cult-leader of 30 years ago by capturing his son, and the detective's client is in on the deal.
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Production | Michael Cain | Executive Producer |
Production | Larry Kogan | Casting |
Art | John Larena | Production Design |
Art | Heather Foley | Art Direction |
Art | Andi Brittan | Set Decoration |
Costume & Make-Up | Olivia Sevilla | Costume Design |
Costume & Make-Up | Maxine Morris | Makeup Artist |
Costume & Make-Up | Maxine Morris | Hair Department Head |
Art | Andi Brittan | Set Dresser |
Art | Brian Scotti | Swing |
Sound | Steve Cartwright | Sound Editor |
Sound | Steve Cartwright | Sound Re-Recording Mixer |
Sound | Mike Draghi | Supervising Sound Editor |
Sound | Mike Draghi | Sound Re-Recording Mixer |
Sound | Jeff Mar | Dialogue Editor |
Sound | Jeff Mar | ADR Supervisor |
Sound | Jeff Mar | Sound Re-Recording Mixer |
Sound | Richard Raderman | Foley Artist |
Sound | Bill Teague | Sound Mixer |
Sound | Stephen P. Robinson | Dialogue Editor |
Crew | Erick Brennan | Special Effects Coordinator |
Camera | Patti Arpaia | Still Photographer |
Directing | Genie Babcock | Script Supervisor |
Crew | Gareth O'Neil | Post Production Supervisor |
Production | Haze J.F. Bergeron III | Line Producer |
Directing | Eric Mofford | First Assistant Director |
Writing | Edward Holzman | Screenplay |
Directing | Edward Holzman | Director |
Sound | Alex Wilkinson | Original Music Composer |
Editing | Kelley Cauthen | Editor |
Camera | Bruce Dorfman | Director of Photography |
Production | Brad Hill | Producer |
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