In 1931, budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. He falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt.
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| Writing | Kevin Elyot | Writer |
| Directing | Geoffrey Sax | Director |
| Production | Celia Duval | Producer |
| Production | Eleanor Moran | Executive Producer |
| Camera | Kieran McGuigan | Director of Photography |
| Production | Damien Timmer | Executive Producer |
| Production | Rebecca Keane | Executive Producer |
| Editing | Paul Knight | Editor |
| Production | Susie Parriss | Casting |
| Production | Kevin Elyot | Executive Producer |
| Sound | Dominik Scherrer | Original Music Composer |
| Production | Michele Buck | Executive Producer |
| Crew | Don Bachardy | Creative Consultant |
| Production | Jon Williams | Head of Production |
| Production | Christopher Myers | Assistant Location Manager |
| Sound | Terry McDonald | Boom Operator |
| Directing | Adam Philpott | Second Assistant Director |
| Production | Sheila Price | Production Accountant |
| Camera | Andy Gardner | First Assistant "B" Camera |
| Camera | Sean Savage | Camera Operator |
| Lighting | Carlo McDonnell | Gaffer |
| Lighting | Seamus Lynch | Electrician |
| Lighting | Ger O'Hagan | Electrician |
| Costume & Make-Up | Sarah Touaibi | Costume Supervisor |
| Production | Clair Hanson | Assistant Accountant |
| Camera | Rory Moles | Focus Puller |
| Camera | Pat Garrett | Grip |
| Sound | Jack Gillies | Sound Effects Editor |
| Directing | Barry Keil | First Assistant Director |
| Directing | Samantha Ross | Third Assistant Director |
| Directing | San Davey | Script Supervisor |
| Production | Catherine Geary | Location Manager |
| Costume & Make-Up | Laura Pollock | Makeup & Hair |
| Costume & Make-Up | Lorna Marie Mugan | Costume Designer |
| Art | Sara Hayward | Standby Art Director |
| Editing | Dan Coles | Colorist |
| Visual Effects | Gareth Parry | Visual Effects Supervisor |
| Sound | Richard Davey | Sound Mixer |
| Costume & Make-Up | Pamela Smyth | Makeup Designer |
| Art | Chris Cull | Property Master |
| Crew | Joe Condren | Stunt Coordinator |
| Sound | Simon Kerr | Sound Engineer |
| Art | Sophie Phillips | Set Decoration |
| Camera | Dáire Mac An tSaoir | Camera Trainee |
| Art | Gillian Devenney | Art Direction |
| Costume & Make-Up | Donna Hughes | Costume Assistant |
| Camera | Ruth Woodside | Clapper Loader |
| Production | Damien Glenholmes | Unit Manager |
| Production | Maree Gecks | Production Manager |
| Costume & Make-Up | Stephen O'Rawe | Costume Assistant |
| Art | Suzie Davies | Production Design |
| Sound | Ronan Hill | Sound Recordist |
| Costume & Make-Up | Pamela Smyth | Hair Designer |
| Costume & Make-Up | Sevlene Roddy | Hair Supervisor |
| Editing | Siôn Penny | Online Editor |
| Costume & Make-Up | Heather Long | Costume Assistant |
| Sound | Terry Davies | Music Director |
| Costume & Make-Up | Sevlene Roddy | Makeup Supervisor |
| Sound | Ben Norrington | Dialogue Editor |
| Production | Susie Parriss | Casting Director |
| Sound | Chris Treble | Sound Mixer |
| Visual Effects | Tim Kilgour | Visual Effects Supervisor |
| Writing | Christopher Isherwood | Novel |
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