Vincent Bruce, a war veteran, begins working as an occupational therapist at Poplar Lodge, a private psychiatric facility for wealthy people where he meets Lilith Arthur, a charming young woman suffering from schizophrenia, whose fragile beauty captivates all who meet her.
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| Directing | Robert Rossen | Director |
| Camera | Joe Coffey | Camera Operator |
| Sound | Kenyon Hopkins | Conductor |
| Costume & Make-Up | George Newman | Wardrobe Supervisor |
| Directing | Larry Sturhahn | Assistant Director |
| Sound | Jim Shields | Sound |
| Art | Elinor Bunin | Title Designer |
| Editing | Robert Q. Lovett | Associate Editor |
| Sound | Edward Beyer | Sound Editor |
| Costume & Make-Up | Flo Transfield | Wardrobe Supervisor |
| Directing | Bob Vietro | Assistant Director |
| Costume & Make-Up | Frederick Jones | Hairstylist |
| Costume & Make-Up | Bill Herman | Makeup Artist |
| Costume & Make-Up | Robert Jiras | Makeup Artist |
| Writing | Robert Rossen | Screenplay |
| Camera | Tibor Sands | Assistant Camera |
| Camera | Josh Weiner | Still Photographer |
| Costume & Make-Up | Ruth Morley | Costume Designer |
| Editing | Lynn Ratener | Assistant Editor |
| Production | Jim Di Gangi | Production Manager |
| Directing | Allan Dennis | Second Assistant Director |
| Camera | Bert Siegel | Assistant Camera |
| Writing | J. R. Salamanca | Novel |
| Production | Eleanor Wolquitt | Producer's Assistant |
| Sound | Richard Vorisek | Sound |
| Editing | Barry Malkin | Assistant Editor |
| Directing | Dorothy Weshner | Script Supervisor |
| Costume & Make-Up | Irving Buchman | Makeup Artist |
| Sound | Kenyon Hopkins | Original Music Composer |
| Camera | Eugen Schüfftan | Director of Photography |
| Editing | Aram Avakian | Editor |
| Production | Robert Rossen | Producer |
| Art | Gene Callahan | Set Decoration |
| Art | Richard Sylbert | Production Design |
| Editing | Hugh A. Robertson | Associate Editor |
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