At a 1930s New Orleans bordello, Hallie is the main attraction for both clients and the shrewd madam. The arrival of Dove Linkhorn, her lovesick sweetheart from three years ago, disrupts the normal and triggers a chain of events involving a number of people, including the young woman he travelled with, who is now the Doll House's newest employee.
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Directing | Edward Dmytryk | Director |
Writing | John Fante | Screenplay |
Art | Richard Sylbert | Production Design |
Editing | Harry Gerstad | Editor |
Writing | Nelson Algren | Novel |
Writing | Edmund Morris | Screenplay |
Art | William Kiernan | Set Decoration |
Costume & Make-Up | Charles LeMaire | Costume Design |
Sound | Elmer Bernstein | Original Music Composer |
Camera | Joseph MacDonald | Director of Photography |
Sound | Brook Benton | Vocals |
Crew | Charles K. Feldman | Presenter |
Production | Joseph Lebworth | Associate Producer |
Writing | Raphael Hayes | Writer |
Camera | Albert Bettcher | First Assistant Camera |
Writing | Ben Hecht | Writer |
Camera | Emil Oster | Camera Operator |
Production | Stocker Fontelieu | Casting Assistant |
Sound | James Nelson | Supervising Sound Editor |
Sound | Elmer Bernstein | Conductor |
Directing | Blake Edwards | Co-Director |
Sound | Charles J. Rice | Sound Supervisor |
Costume & Make-Up | Ben Lane | Makeup Supervisor |
Sound | Elmer Bernstein | Songs |
Art | Saul Bass | Title Designer |
Production | Charles K. Feldman | Producer |
Sound | Leo Shuken | Orchestrator |
Sound | Jack Hayes | Orchestrator |
Sound | Mack David | Songs |
Sound | George Cooper | Sound |
Directing | Floyd Joyer | Assistant Director |
Camera | Larry Shaw | Still Photographer |
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