As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
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Directing | Herbert Ross | Director |
Sound | John Lanchbery | Original Music Composer |
Sound | John Lanchbery | Conductor |
Directing | Julia Tucker | Continuity |
Sound | Ted Keep | Scoring Mixer |
Directing | Jack Roe | First Assistant Director |
Crew | Michel Fokine | Choreographer |
Sound | Theodore Soderberg | Sound Re-Recording Mixer |
Sound | William Hartman | Sound Editor |
Production | Juliet Taylor | Casting |
Sound | Jerry Jost | Production Sound Mixer |
Art | Wayne Fitzgerald | Title Designer |
Crew | George Balanchine | Choreographer |
Crew | Saax Bradbury | Dialect Coach |
Crew | Jean Coralli | Choreographer |
Crew | Marius Petipa | Choreographer |
Sound | Duke Ellington | Music |
Sound | George Korngold | Music Editor |
Sound | Richard Sperber | Sound Editor |
Camera | Warren Rothenberger | Camera Operator |
Art | Gregg H. Bilson | Property Master |
Costume & Make-Up | Jennifer L. Parsons | Wardrobe Designer |
Crew | Harald Lander | Choreographer |
Sound | Carl Czerny | Music |
Crew | John Cranko | Choreographer |
Sound | Ludwig Minkus | Music |
Production | David Graham | Casting |
Crew | Alexander Minz | Choreographer |
Sound | Pyotr Ilyich Tchaikovsky | Music |
Art | Joseph M. Caracciolo | Property Master |
Art | Hendrik Wynands | Construction Coordinator |
Crew | Alvin Ailey | Choreographer |
Crew | Frederick Ashton | Choreographer |
Crew | Jules Perrot | Choreographer |
Costume & Make-Up | Charles H. Schram | Makeup Artist |
Crew | Lev Ivanov | Choreographer |
Crew | Dennis Nahat | Choreographer |
Sound | Sergei Prokofiev | Music |
Sound | Adolphe Adam | Music |
Sound | Frédéric Chopin | Music |
Sound | Henryk Wieniawski | Music |
Sound | Godfrey Marks | Dialogue Editor |
Costume & Make-Up | Kathryn Blondell | Hairstylist |
Crew | Kenneth MacMillan | Choreographer |
Editing | Michael E. Polakow | Assistant Editor |
Costume & Make-Up | Tony Faso | Wardrobe Designer |
Camera | Ralph Gerling | Camera Operator |
Lighting | Willie Meyerhoff | Gaffer |
Directing | Tony Bishop | Second Assistant Director |
Directing | Peter Burrell | Second Assistant Director |
Camera | Daniel R. Jordan | Key Grip |
Camera | Louis Cappeta | Key Grip |
Lighting | Earl Kennedy | Gaffer |
Writing | Arthur Laurents | Writer |
Costume & Make-Up | Albert Wolsky | Costume Design |
Production | Roger M. Rothstein | Associate Producer |
Art | Marvin March | Set Decoration |
Production | Nora Kaye | Executive Producer |
Camera | Robert Surtees | Director of Photography |
Art | Albert Brenner | Production Design |
Production | Herbert Ross | Producer |
Editing | William Reynolds | Editor |
Production | Arthur Laurents | Producer |
Production | Roger M. Rothstein | Production Manager |
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