George Oppenheimer has two problems: an eccentric wife and an uncontrollable child. At work his team invented a computer with personality. George thinks the computer is faster, smarter and elegant. When his life falls apart, the computer offers suicide as the only alternative.
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| Directing | Robert Marchand | Director |
| Writing | Peter Moon | Screenplay |
| Production | David Clarke | Line Producer |
| Production | Phillip Emanuel | Producer |
| Production | Ted Robinson | Associate Producer |
| Sound | David Skinner | Music |
| Camera | Bob Kohler | Director of Photography |
| Editing | Murray Ferguson | Editor |
| Art | Paddy Reardon | Production Design |
| Costume & Make-Up | Vicki Doll | Assistant Makeup Artist |
| Costume & Make-Up | Anna Karpinski | Makeup Artist |
| Production | Stephen Shelley | Unit Production Manager |
| Directing | Brendan Campbell | Third Assistant Director |
| Directing | Robert Donaldson | First Assistant Director |
| Directing | Ian Kenny | Second Assistant Director |
| Sound | Greg Bell | Dialogue Editor |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Stephen Haggerty | Sound Recordist |
| Sound | Paul Huntingford | Sound Effects Editor |
| Sound | Bruce Lamshed | Sound Mixer |
| Sound | Joseph Matthews | Assistant Sound Editor |
| Sound | John McKerrow | Boom Operator |
| Sound | John Wilkinson | Boom Operator |
| Crew | Peter Armstrong | Special Effects |
| Crew | Jeff Little | Special Effects |
| Crew | Brian Pearce | Special Effects |
| Crew | Peter Stubbs | Special Effects |
| Crew | Chris Peters | Stunt Coordinator |
| Crew | Arch Roberts | Stunt Coordinator |
| Editing | Annette Kelly | Assistant Editor |
| Production | Lee Larner | Casting Consultant |
| Camera | Ken Connor | Key Grip |
| Camera | Peter Falk | Clapper Loader |
| Camera | Ian Porter | Assistant Grip |
| Camera | Paul Tilley | Focus Puller |
| Camera | Vivian Zink | Still Photographer |
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