A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
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| Directing | Alexandre O. Philippe | Director |
| Production | Robert Muratore | Co-Producer |
| Sound | Anthony Weeden | Original Music Composer |
| Production | Karyn Kusama | Executive Producer |
| Production | Matt Manfredi | Executive Producer |
| Production | Randy Pharo | Executive Producer |
| Production | Chad Herschberger | Co-Producer |
| Production | Annick Mahnert | Co-Producer |
| Visual Effects | James Durée | Animation |
| Production | Phil Hay | Executive Producer |
| Sound | Jon Hegel | Original Music Composer |
| Camera | Robert Muratore | Director of Photography |
| Production | Joey Porcelli | Executive Producer |
| Production | Kerry Deignan Roy | Producer |
| Production | Cathy Trekloff | Post Production Producer |
| Visual Effects | Chad Herschberger | Animation |
| Editing | David Lawrence | Editor |
| Visual Effects | James Durée | Compositing Lead |
| Production | Cathy Trekloff | Co-Producer |
| Writing | Alexandre O. Philippe | Writer |
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