Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.
Unfortunately the movie Superman II: The Richard Donner Cut is not yet available on Netflix. Follow us on Facebook to see when Superman II: The Richard Donner Cut becomes available on Netflix!
| Directing | David Tomblin | Second Unit Director |
| Directing | Richard Donner | Director |
| Art | Charles Bishop | Art Direction |
| Art | Ernest Archer | Art Direction |
| Art | Norman Reynolds | Art Direction |
| Art | Terry Ackland-Snow | Art Direction |
| Art | John Barry | Production Design |
| Art | Peter Murton | Production Design |
| Art | Peter Howitt | Set Decoration |
| Art | Peter Young | Set Decoration |
| Art | Maurice Fowler | Supervising Art Director |
| Camera | Geoffrey Unsworth | Director of Photography |
| Camera | Robert Paynter | Director of Photography |
| Camera | Chic Waterson | Camera Operator |
| Camera | David Garfath | Camera Operator |
| Camera | Freddie Cooper | Camera Operator |
| Camera | Ginger Gemmel | Camera Operator |
| Camera | John Harris | Camera Operator |
| Camera | John Morgan | Camera Operator |
| Camera | Peter MacDonald | Camera Operator |
| Camera | David Wynn-Jones | First Assistant Camera |
| Camera | David Wynn-Jones | Focus Puller |
| Camera | Denys N. Coop | Other |
| Camera | Paul Wilson | Other |
| Costume & Make-Up | Sue Yelland | Costume Design |
| Costume & Make-Up | Yvonne Blake | Costume Design |
| Costume & Make-Up | Stuart Freeborn | Makeup Artist |
| Crew | Tom Mankiewicz | Creative Consultant |
| Editing | John Victor-Smith | Editor |
| Editing | Stuart Baird | Editor |
| Editing | Michael Thau | Editor |
| Visual Effects | Colin Chilvers | Special Effects Supervisor |
| Visual Effects | Zoran Perisic | Special Effects Supervisor |
| Visual Effects | Roy Field | Visual Effects Supervisor |
| Sound | John Williams | Original Music Composer |
| Sound | Kelly Cabral | Supervising Sound Editor |
| Sound | Melissa A. Corns | Assistant Sound Editor |
| Sound | Cameron Frankley | Sound Designer |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Tim LeBlanc | Other |
| Sound | Ai-Ling Lee | Sound Effects Editor |
| Sound | Jon Michaels | Assistant Sound Editor |
| Sound | Troy Porter | ADR Mixer |
| Sound | Edward Steidele | Foley Artist |
| Sound | Chris Trent | Foley Mixer |
| Sound | Jerry Trent | Foley Artist |
| Sound | Gregory H. Watkins | Other |
| Visual Effects | Adam Avitabile | Visual Effects |
| Visual Effects | Lloyd Lee Barnett | Digital Compositor |
| Visual Effects | Derek Bird | Digital Compositor |
| Visual Effects | Chad Buehler | Digital Compositor |
| Visual Effects | Cyntia Büll | Digital Compositor |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Visual Effects | Jenny Foster | Visual Effects Producer |
| Sound | Jay Duerr | Music Editor |
| Sound | Eric Tomlinson | Music Sound Design and Processing |
| Crew | Ken Thorne | Additional Music |
| Lighting | Maurice Gillett | Gaffer |
| Writing | Jerry Siegel | Characters |
| Writing | Joe Shuster | Characters |
| Writing | David Newman | Screenplay |
| Writing | Leslie Newman | Screenplay |
| Writing | Mario Puzo | Screenplay |
| Writing | Mario Puzo | Story |
| Production | Michele Tandy | Assistant Accountant |
| Production | Debbie McWilliams | Casting |
| Production | Lynn Stalmaster | Casting |
| Production | Ilya Salkind | Executive Producer |
| Production | Frans J. Afman | Finance |
| Production | Maria Monreal | Other |
| Production | Pierre Spengler | Producer |
| Production | Douglas Noakes | Production Accountant |
| Production | Geoffrey Helman | Production Manager |
| Production | Robert Simmonds | Production Manager |
| Production | Vincent Winter | Production Manager |
| Production | Cecil F. Ford | Production Supervisor |
| Production | Tim Hampton | Production Supervisor |
| Production | Allan James | Unit Manager |
| Production | Derek Hoffman | Co-Producer |
| Production | Michael Thau | Producer |
| Production | Charles F. Greenlaw | Associate Producer |
| Directing | Andy Armstrong | Second Unit Director |
| Art | Denis Rich | Storyboard Artist |
| Production | Michael Crawford | Executive In Charge Of Production |
| Visual Effects | Anthony 'Max' Ivins | Visual Effects Supervisor |
| Visual Effects | Christopher Ivins | Compositing Artist |
| Visual Effects | Michael Kaelin | Digital Compositor |
| Visual Effects | Michael Kennen | Digital Compositor |
| Visual Effects | Michael Collins | Digital Compositor |
| Crew | Danny S. Kim | Visual Effects Art Director |
| Visual Effects | Cornelia Magas | Digital Compositor |
| Visual Effects | Felix Ojeda | Digital Compositor |
| Visual Effects | Rob Ozaeta | Visual Effects |
| Visual Effects | Anthony Racco | Matte Painter |
| Visual Effects | Rebecca Ramsey | Visual Effects Producer |
| Visual Effects | Gabriel Sánchez | Visual Effects |
| Visual Effects | Clay Sparks | Visual Effects |
| Visual Effects | Kevin R. Browne | Visual Effects |
| Crew | Kurt Bryant | Stunts |
| Crew | Brian Christensen | Stunts |
| Crew | Barbara Anne Klein | Stunt Coordinator |
| Crew | Barbara Anne Klein | Stunt Double |
| Crew | Marc Fisher | Editorial Staff |
| Editing | Christine Dougherty | Digital Intermediate Producer |
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