Francesca always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile the reclining chair becomes enchanted by Francesca and starts committing crimes of passion.
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| Sound | James Dunlop | Original Music Composer |
| Camera | Bernardo Rao | Director of Photography |
| Directing | Bernardo Rao | Director |
| Writing | Bernardo Rao | Writer |
| Production | Bernardo Rao | Producer |
| Production | Jim Baltaxe | Unit Production Manager |
| Directing | Paulo Lourenço | First Assistant Director |
| Writing | Ashley Scott Meyers | Script Consultant |
| Production | Bernardo Rao | Line Producer |
| Production | Paulo Lourenço | Line Producer |
| Production | Jim Baltaxe | Co-Producer |
| Production | Marc Tyron | Co-Producer |
| Production | Helena Halley | Associate Producer |
| Crew | Piimio Mei | Choreographer |
| Crew | Sarah Munn | Stunt Coordinator |
| Crew | Bernardo Rao | Fight Choreographer |
| Lighting | André Oudard | Gaffer |
| Camera | André Oudard | Key Grip |
| Camera | André Oudard | First Assistant Camera |
| Camera | Seanne Cullhane | Second Assistant Camera |
| Production | Paul Irving | Production Assistant |
| Art | Bernardo Rao | Art Direction |
| Art | Jim Baltaxe | Set Decoration |
| Art | Paulo Lourenço | Assistant Set Decoration |
| Camera | Bernardo Rao | "A" Camera Operator |
| Camera | David Drummond | Steadicam Operator |
| Editing | Bernardo Rao | Editor |
| Editing | Paulo Lourenço | Editor |
| Sound | James Dunlop | Sound Mixer |
| Sound | James Dunlop | Boom Operator |
| Camera | James Dunlop | Grip |
| Camera | Bernardo Rao | Dolly Grip |
| Visual Effects | Diogo Esteves | Special Effects Supervisor |
| Crew | Diogo Esteves | Pyrotechnician |
| Production | Jim Baltaxe | Location Manager |
| Production | Paul Irving | Assistant Location Manager |
| Art | Helena Halley | Property Master |
| Art | Bernardo Rao | Props |
| Art | Jim Baltaxe | Set Dresser |
| Art | Bernardo Rao | Set Designer |
| Art | Paulo Lourenço | Set Designer |
| Costume & Make-Up | Nina King | Assistant Costume Designer |
| Costume & Make-Up | Paul Irving | Costume Supervisor |
| Costume & Make-Up | Charlotte Kelleher | Key Costumer |
| Costume & Make-Up | Amie Lyver | Makeup Department Head |
| Costume & Make-Up | Angelica Thomas | Makeup Artist |
| Costume & Make-Up | Piimio Mei | Makeup Artist |
| Costume & Make-Up | Nathalie Morris | Makeup Artist |
| Costume & Make-Up | Stacey King | Makeup Artist |
| Crew | Ben Zolno | Assistant Script |
| Crew | Amie Lyver | Makeup Effects |
| Costume & Make-Up | Amie Lyver | Key Hair Stylist |
| Costume & Make-Up | Amie Lyver | Hairstylist |
| Crew | Diogo Esteves | Visual Effects Editor |
| Crew | Bernardo Rao | Post Production Supervisor |
| Crew | James Dunlop | Post Production Assistant |
| Production | Jim Baltaxe | Production Coordinator |
| Production | Helena Halley | Casting Assistant |
| Production | Bernardo Rao | Background Casting Director |
| Crew | Marc Tyron | Unit Publicist |
| Camera | Bernardo Rao | Still Photographer |
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