Francesca always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile the reclining chair becomes enchanted by Francesca and starts committing crimes of passion.
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| Camera | Bernardo Rao | Director of Photography |
| Sound | James Dunlop | Original Music Composer |
| Production | Bernardo Rao | Producer |
| Directing | Bernardo Rao | Director |
| Writing | Bernardo Rao | Writer |
| Camera | André Oudard | Key Grip |
| Crew | Bernardo Rao | Fight Choreographer |
| Crew | Sarah Munn | Stunt Coordinator |
| Production | Paulo Lourenço | Line Producer |
| Production | Paul Irving | Production Assistant |
| Art | Jim Baltaxe | Set Decoration |
| Costume & Make-Up | Charlotte Kelleher | Key Costumer |
| Production | Bernardo Rao | Line Producer |
| Camera | Seanne Cullhane | Second Assistant Camera |
| Visual Effects | Diogo Esteves | Special Effects Supervisor |
| Art | Helena Halley | Property Master |
| Crew | James Dunlop | Post Production Assistant |
| Editing | Paulo Lourenço | Editor |
| Crew | Diogo Esteves | Pyrotechnician |
| Costume & Make-Up | Angelica Thomas | Makeup Artist |
| Costume & Make-Up | Amie Lyver | Hairstylist |
| Crew | Bernardo Rao | Post Production Supervisor |
| Art | Bernardo Rao | Art Direction |
| Camera | James Dunlop | Grip |
| Camera | André Oudard | First Assistant Camera |
| Costume & Make-Up | Stacey King | Makeup Artist |
| Production | Helena Halley | Casting Assistant |
| Directing | Paulo Lourenço | First Assistant Director |
| Art | Paulo Lourenço | Assistant Set Decoration |
| Camera | Bernardo Rao | Dolly Grip |
| Art | Bernardo Rao | Props |
| Production | Jim Baltaxe | Production Coordinator |
| Production | Bernardo Rao | Background Casting Director |
| Camera | Bernardo Rao | "A" Camera Operator |
| Sound | James Dunlop | Sound Mixer |
| Production | Jim Baltaxe | Location Manager |
| Art | Paulo Lourenço | Set Designer |
| Costume & Make-Up | Piimio Mei | Makeup Artist |
| Crew | Amie Lyver | Makeup Effects |
| Production | Jim Baltaxe | Co-Producer |
| Crew | Piimio Mei | Choreographer |
| Art | Bernardo Rao | Set Designer |
| Crew | Marc Tyron | Unit Publicist |
| Art | Jim Baltaxe | Set Dresser |
| Production | Paul Irving | Assistant Location Manager |
| Costume & Make-Up | Nina King | Assistant Costume Designer |
| Costume & Make-Up | Nathalie Morris | Makeup Artist |
| Camera | Bernardo Rao | Still Photographer |
| Costume & Make-Up | Amie Lyver | Key Hair Stylist |
| Crew | Diogo Esteves | Visual Effects Editor |
| Production | Jim Baltaxe | Unit Production Manager |
| Sound | James Dunlop | Boom Operator |
| Writing | Ashley Scott Meyers | Script Consultant |
| Production | Helena Halley | Associate Producer |
| Camera | David Drummond | Steadicam Operator |
| Costume & Make-Up | Paul Irving | Costume Supervisor |
| Crew | Ben Zolno | Assistant Script |
| Production | Marc Tyron | Co-Producer |
| Lighting | André Oudard | Gaffer |
| Editing | Bernardo Rao | Editor |
| Costume & Make-Up | Amie Lyver | Makeup Department Head |
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