Francesca always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile the reclining chair becomes enchanted by Francesca and starts committing crimes of passion.
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| Sound | James Dunlop | Original Music Composer |
| Camera | Bernardo Rao | Director of Photography |
| Writing | Bernardo Rao | Writer |
| Production | Bernardo Rao | Producer |
| Directing | Bernardo Rao | Director |
| Production | Paulo Lourenço | Line Producer |
| Art | Bernardo Rao | Props |
| Costume & Make-Up | Nina King | Assistant Costume Designer |
| Camera | Bernardo Rao | Still Photographer |
| Costume & Make-Up | Amie Lyver | Makeup Department Head |
| Production | Bernardo Rao | Line Producer |
| Costume & Make-Up | Charlotte Kelleher | Key Costumer |
| Costume & Make-Up | Piimio Mei | Makeup Artist |
| Crew | Diogo Esteves | Visual Effects Editor |
| Crew | Marc Tyron | Unit Publicist |
| Sound | James Dunlop | Boom Operator |
| Camera | Bernardo Rao | Dolly Grip |
| Production | Jim Baltaxe | Location Manager |
| Crew | Amie Lyver | Makeup Effects |
| Writing | Ashley Scott Meyers | Script Consultant |
| Camera | André Oudard | Key Grip |
| Costume & Make-Up | Paul Irving | Costume Supervisor |
| Crew | Ben Zolno | Assistant Script |
| Costume & Make-Up | Amie Lyver | Hairstylist |
| Crew | Bernardo Rao | Post Production Supervisor |
| Production | Paul Irving | Production Assistant |
| Camera | David Drummond | Steadicam Operator |
| Production | Paul Irving | Assistant Location Manager |
| Costume & Make-Up | Nathalie Morris | Makeup Artist |
| Production | Helena Halley | Associate Producer |
| Production | Bernardo Rao | Background Casting Director |
| Production | Jim Baltaxe | Unit Production Manager |
| Crew | Bernardo Rao | Fight Choreographer |
| Editing | Paulo Lourenço | Editor |
| Costume & Make-Up | Angelica Thomas | Makeup Artist |
| Production | Jim Baltaxe | Co-Producer |
| Art | Bernardo Rao | Set Designer |
| Camera | Seanne Cullhane | Second Assistant Camera |
| Art | Jim Baltaxe | Set Decoration |
| Art | Paulo Lourenço | Assistant Set Decoration |
| Visual Effects | Diogo Esteves | Special Effects Supervisor |
| Art | Helena Halley | Property Master |
| Art | Jim Baltaxe | Set Dresser |
| Directing | Paulo Lourenço | First Assistant Director |
| Camera | James Dunlop | Grip |
| Crew | Diogo Esteves | Pyrotechnician |
| Crew | James Dunlop | Post Production Assistant |
| Production | Jim Baltaxe | Production Coordinator |
| Production | Marc Tyron | Co-Producer |
| Crew | Piimio Mei | Choreographer |
| Lighting | André Oudard | Gaffer |
| Camera | André Oudard | First Assistant Camera |
| Crew | Sarah Munn | Stunt Coordinator |
| Editing | Bernardo Rao | Editor |
| Production | Helena Halley | Casting Assistant |
| Costume & Make-Up | Amie Lyver | Key Hair Stylist |
| Art | Bernardo Rao | Art Direction |
| Camera | Bernardo Rao | "A" Camera Operator |
| Sound | James Dunlop | Sound Mixer |
| Art | Paulo Lourenço | Set Designer |
| Costume & Make-Up | Stacey King | Makeup Artist |
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