Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
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Art | Howard Cummings | Production Design |
Directing | Bryan Singer | Director |
Production | Robert Jones | Executive Producer |
Production | Francine Maisler | Casting |
Production | Bryan Singer | Producer |
Production | Michael McDonnell | Producer |
Production | Hans Brockmann | Executive Producer |
Production | Vicky Herman | Production Supervisor |
Camera | Newton Thomas Sigel | Director of Photography |
Art | David Lazan | Art Direction |
Production | Art Horan | Executive Producer |
Costume & Make-Up | Louise Mingenbach | Costume Design |
Production | François Duplat | Executive Producer |
Art | Sara Andrews | Set Decoration |
Editing | Peter S. Elliot | Editor |
Sound | Jack Keller | Sound Recordist |
Sound | David Behle | Sound Recordist |
Sound | Don Givens | Foley Recordist |
Sound | Tami Treadwell | Foley Recordist |
Editing | Mary Beth Smith | Negative Cutter |
Sound | Claudette Cucci | Foley Artist |
Sound | Greg Steele | ADR Recordist |
Sound | Tricia Linklater | Assistant Sound Editor |
Crew | Pat Millicano | Stunts |
Crew | Joe Dunne | Stunts |
Crew | Diamond Farnsworth | Stunts |
Crew | John Gillespie | Stunts |
Crew | Max Daniels | Stunts |
Sound | Thomas J. O'Connell | ADR Mixer |
Crew | Harry Wowchuk | Stunts |
Crew | Jody Bingenheimer | Driver |
Crew | Sheri Cosentino | Driver |
Camera | Scott Patten | Best Boy Grip |
Sound | Donald Sylvester | ADR Editor |
Crew | Billy Bates | Stunts |
Crew | Bob Havice | Stunts |
Crew | Billy Judkins | Stunts |
Crew | Angel DeSanti | Driver |
Camera | Joseph Dianda | Key Grip |
Sound | Leigh French | ADR Coordinator |
Sound | George Berndt | ADR Supervisor |
Crew | William Smallwood | Driver |
Sound | Jonathan Klein | Foley Editor |
Sound | John T. Cucci | Foley Artist |
Sound | Mark Pappas | Foley Supervisor |
Crew | John Casino | Stunts |
Sound | Charleen Richards-Steeves | ADR Mixer |
Crew | Fernando Celis | Stunts |
Sound | Paul Parsons | Assistant Sound Editor |
Sound | Rick Canelli | ADR Recordist |
Production | Judie Fixler | Extras Casting |
Crew | Alex Gaona | Stunts |
Crew | Ashley Casino | Stunts |
Crew | Michael Carr | Stunts |
Camera | Ross Guidici | Grip |
Camera | Richard Maxey | Grip |
Lighting | Jim Frohna | Electrician |
Camera | Shawn Ensign | Grip |
Camera | William J. McDevitt | Grip |
Lighting | David Gamerman | Best Boy Electric |
Lighting | Michael Stewart Maahs | Electrician |
Lighting | Craig A. Brink | Electrician |
Crew | Bertram McCann | Marine Coordinator |
Camera | Bruce Hamme | Dolly Grip |
Crew | Eugene Farrington | Driver |
Crew | Antonio Franchi | Driver |
Art | Angel Acosta | Assistant Property Master |
Camera | Kevin Dean | Grip |
Art | John Coven | Storyboard Artist |
Lighting | Jerry L. Mandley | Electrician |
Editing | John Ottman | Editor |
Camera | Linda R. Chen | Still Photographer |
Crew | David P. Barton | Makeup Effects |
Crew | Roy L. Downey | Special Effects Coordinator |
Crew | Joe Cosentino | Transportation Captain |
Writing | Christopher McQuarrie | Writer |
Camera | Chris Squires | Steadicam Operator |
Directing | Wendy Dallas | Script Supervisor |
Production | Chanel Salzer | Location Manager |
Production | Kenneth Kokin | Co-Producer |
Camera | Robert C. Carlson | First Assistant Camera |
Camera | Bruce Douglas Johnson | Additional Photography |
Crew | Ellen Francisco | Craft Service |
Sound | Chuck Michael | Supervising Sound Editor |
Sound | Larry Groupé | Orchestrator |
Sound | Craig Woods | Boom Operator |
Lighting | Reinhart Peschke | Gaffer |
Crew | Geno Hart | Transportation Coordinator |
Sound | Elliot Tyson | Sound Re-Recording Mixer |
Directing | Haley McLane | Script Supervisor |
Sound | Nash Michael | Sound Effects Editor |
Costume & Make-Up | Michelle Bühler | Makeup Department Head |
Production | Kathy Driscoll-Mohler | Casting Associate |
Sound | Geoffrey Patterson | Sound Mixer |
Sound | Robert J. Litt | Sound Re-Recording Mixer |
Production | Ashley Friedman | Location Manager |
Crew | Gary Jensen | Stunt Coordinator |
Camera | P. Scott Sakamoto | Steadicam Operator |
Art | Mark Meloccaro | Art Department Coordinator |
Costume & Make-Up | Tara Spurlock | Set Costumer |
Camera | Caroline Burton | Still Photographer |
Production | Lisa Miller Katz | Casting Associate |
Crew | Michael Tinger | Post Production Supervisor |
Sound | Karen G. Wilson | Sound Effects Editor |
Costume & Make-Up | Barbara Olvera | Key Hair Stylist |
Crew | Ken Plumlee | Transportation Captain |
Crew | Joseph Aroesti | Transportation Co-Captain |
Sound | Lia Vollack | Music Editor |
Sound | Greg P. Russell | Sound Re-Recording Mixer |
Costume & Make-Up | Lori Eskowitz | Costume Supervisor |
Sound | Richard Burton | Sound Effects Editor |
Editing | Gloria Kaiser | Color Timer |
Crew | David Pollack | Unit Publicist |
Camera | John Johnson | Still Photographer |
Editing | Roger Fenton | Assistant Editor |
Sound | John Ottman | Original Music Composer |
Sound | Sukey Fontelieu | Dialogue Editor |
Sound | David Spence | Dialogue Editor |
Directing | Kenneth Kokin | Second Unit Director |
Camera | Michael A. FauntLeRoy Sr. | First Assistant "B" Camera |
Camera | P. Scott Sakamoto | Second Unit Director of Photography |
Directing | James D. Deck | First Assistant Director |
Camera | Eric J. Goldstein | Second Unit Director of Photography |
Directing | Alan Steinman | Second Assistant Director |
Camera | Richard Sobin | Second Assistant Camera |
Directing | Athena Alexander | Second Second Assistant Director |
Camera | Baird Steptoe | First Assistant "B" Camera |
Art | Tony Bonaventura | Property Master |
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