In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
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| Directing | Wes Anderson | Director |
| Camera | Robert D. Yeoman | Director of Photography |
| Crew | Mark Friedberg | Thanks |
| Production | Patrice Haddad | Producer |
| Sound | Randall Poster | Music Supervisor |
| Camera | Alfonso Lopez de la Fuente | Grip |
| Sound | Stuart Wilson | Production Sound Mixer |
| Camera | Joan Bansillon | Grip |
| Production | Henri Deneubourg | Location Manager |
| Editing | Fabien Turrizziani | Assistant Editor |
| Art | Krysten Childs | Set Dresser |
| Directing | Emilie Cherpitel | First Assistant Director |
| Lighting | Thierry Baucheron | Gaffer |
| Production | Perla Tuccillo | Production Coordinator |
| Crew | Bastien Harispe | Post Production Supervisor |
| Lighting | Jean-Christophe Duwez | Electrician |
| Sound | Marc Parazon | Boom Operator |
| Production | Pierre Cléaud | Associate Producer |
| Camera | Felix Touret | Key Grip |
| Camera | Gary Pachany | First Assistant Camera |
| Writing | Wes Anderson | Writer |
| Camera | Mathieu Plainfossé | Second Assistant Camera |
| Production | Nicolas Saada | Executive Producer |
| Production | Alice Bamford | Co-Producer |
| Art | Kris Moran | Art Direction |
| Editing | Vincent Marchand | Editor |
| Sound | Sylvain Rety | Sound Mixer |
| Sound | Matthieu Sibony | Sound Mixer |
| Sound | Grégoire Galian | Sound Mixer |
| Production | Jerome Rucki | Executive Producer |
| Sound | Emmanuel Desmdryl | Sound Engineer |
| Costume & Make-Up | Marc Jacobs | Costume Design |
| Production | Thierry Bettas-Bégalin | Line Producer |
| Costume & Make-Up | Frances Hannon | Makeup & Hair |
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