In 1961, a 60-year-old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.
Is The Duke on Netflix? Yes! The movie The Duke is now on Netflix in the countries listed below.
| Sound | George Fenton | Original Music Composer |
| Editing | Kristina Hetherington | Editor |
| Camera | Mike Eley | Director of Photography |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Art | Liz Simpson | Art Direction |
| Art | Kristian Milsted | Production Design |
| Costume & Make-Up | Dinah Collin | Costume Design |
| Production | Christopher Burton | Executive Producer |
| Art | Libby Uppington | Set Decoration |
| Production | Fiona Weir | Casting |
| Production | Peter Scarf | Executive Producer |
| Production | Michael S. Constable | Producer |
| Production | Michael S. Constable | Co-Producer |
| Crew | Louise Seymour | Post Production Supervisor |
| Crew | Julian Spencer | Stunt Coordinator |
| Sound | Martin Beresford | Production Sound Mixer |
| Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
| Costume & Make-Up | Karen Hartley-Thomas | Hair Designer |
| Production | Filiz-Theres Erel | Production Manager |
| Directing | Simon Hedges | First Assistant Director |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Camera | Oliver Driscoll | First Assistant Camera |
| Art | Rachel Garlick | Storyboard Artist |
| Lighting | Paul McGeachan | Gaffer |
| Sound | Danny Sheehan | Sound Supervisor |
| Camera | Sergio Bernuzzi | Key Grip |
| Art | Frances Pulford | Art Department Assistant |
| Production | Matthew Bowden | Location Manager |
| Sound | Julian Bale | Assistant Sound Editor |
| Sound | Jamie Roden | Sound Re-Recording Mixer |
| Camera | Owen Cant | Second Assistant "B" Camera |
| Art | George W Turner | Assistant Art Director |
| Production | Oliver Orlik | Assistant Accountant |
| Art | P.R. Smith | Property Master |
| Camera | Matthew Poynter | "B" Camera Operator |
| Camera | Del Strachan | Grip |
| Sound | Lee James | Assistant Sound Editor |
| Costume & Make-Up | Richard Cooke | Assistant Costume Designer |
| Directing | Lucy Andrews | Third Assistant Director |
| Art | Bob Charlton | Construction Manager |
| Camera | Rosamund Freeman | Camera Trainee |
| Art | Vanessa Bamford | Art Department Assistant |
| Production | James Player | Location Manager |
| Art | Robert Haynes | Standby Art Director |
| Costume & Make-Up | Natasha Kutrovacz | Costume Standby |
| Production | Tim Powell | Post Production Accountant |
| Art | Callum Haden | Dressing Prop |
| Lighting | Joe McGee | Electrician |
| Art | Adam Tomlinson | Supervising Art Director |
| Directing | Gemma Nunn | Second Assistant Director |
| Production | Cecily Colahan | Production Coordinator |
| Lighting | Luke Pochetty | Electrician |
| Production | Ben Frost | Assistant Location Manager |
| Costume & Make-Up | Simon Lewis | Assistant Costume Designer |
| Camera | Ben Jones | Second Assistant Camera |
| Costume & Make-Up | Emma Rigby | Makeup & Hair |
| Costume & Make-Up | Natalie Young | Makeup & Hair |
| Art | Thomas Barratt | Props |
| Art | Kaye Kent | Assistant Set Decoration |
| Camera | Arron Monkman | First Assistant "B" Camera |
| Camera | Ben Lowe | Grip |
| Art | Ian Tomlinson | Draughtsman |
| Costume & Make-Up | Paul Yeowell | Assistant Costume Designer |
| Production | Tian Boyce | Production Secretary |
| Lighting | Will Kendal | Best Boy Electric |
| Camera | Luke Selway | First Assistant "B" Camera |
| Costume & Make-Up | Amy Riley | Makeup & Hair |
| Production | Tim Powell | First Assistant Accountant |
| Camera | Bruce Carmichael | Second Assistant "A" Camera |
| Camera | Núria Pérez | Digital Imaging Technician |
| Art | Candice Marchlewski | Assistant Set Decoration |
| Production | Cory Townsend | Location Assistant |
| Sound | Rob Prynne | Sound Effects Editor |
| Editing | Andrew Jadavji | First Assistant Editor |
| Production | Grace Dubruel | Assistant Location Manager |
| Crew | Steve Roberts | Generator Operator |
| Production | Nikita Vyas | Casting Assistant |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Lighting | Andrew O'Driscoll | Electrician |
| Sound | Barnaby Smyth | Foley Artist |
| Production | Sjors Fiege | Location Assistant |
| Sound | Julian Kershaw | Orchestrator |
| Sound | Rob Turner | Sound Effects Editor |
| Costume & Make-Up | Filipa Fabrica | Costume Supervisor |
| Directing | Malinda Kaur | Assistant Director |
| Sound | Robert Weatherall | Foley Editor |
| Sound | Graham Sutton | Music Editor |
| Production | David Gales | Unit Manager |
| Production | Lian Furness | Location Assistant |
| Visual Effects | Sebastian Barker | Visual Effects Supervisor |
| Production | Sarah Wilson | Casting Associate |
| Crew | Jessica Watkins | Mix Technician |
| Production | Emily Orlik | Assistant Accountant |
| Lighting | Tom Hyde | Electrician |
| Visual Effects | Vikram Chadha | Visual Effects Producer |
| Sound | Keith Partridge | Foley Recording Engineer |
| Sound | Tom Melling | Sound Re-Recording Assistant |
| Crew | Robbie Scott | Mix Technician |
| Sound | George Fenton | Orchestrator |
| Lighting | Thomas Tann | Electrician |
| Production | Dave Seward | Unit Manager |
| Visual Effects | Rob Rowley | Special Effects Supervisor |
| Sound | Matt Davies | Dialogue Editor |
| Directing | Roger Michell | Director |
| Production | Nicky Bentham | Producer |
| Production | Andrea Scarso | Executive Producer |
| Writing | Clive Coleman | Screenplay |
| Production | Hugo Heppell | Executive Producer |
| Production | Cameron McCracken | Executive Producer |
| Production | Jenny Borgars | Executive Producer |
| Writing | Richard Bean | Screenplay |
| Camera | Mark Jones | Grip |
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