In 1961, a 60-year-old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.
Is The Duke on Netflix? Yes! The movie The Duke is now on Netflix in the countries listed below.
| Camera | Mike Eley | Director of Photography |
| Editing | Kristina Hetherington | Editor |
| Sound | George Fenton | Original Music Composer |
| Production | Peter Scarf | Executive Producer |
| Art | Liz Simpson | Art Direction |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Dinah Collin | Costume Design |
| Production | Christopher Burton | Executive Producer |
| Production | Fiona Weir | Casting |
| Art | Libby Uppington | Set Decoration |
| Production | Michael S. Constable | Producer |
| Art | Kristian Milsted | Production Design |
| Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
| Camera | Del Strachan | Grip |
| Sound | Lee James | Assistant Sound Editor |
| Production | Matthew Bowden | Location Manager |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Sound | Jamie Roden | Sound Re-Recording Mixer |
| Camera | Rosamund Freeman | Camera Trainee |
| Camera | Ben Lowe | Grip |
| Art | Candice Marchlewski | Assistant Set Decoration |
| Art | Vanessa Bamford | Art Department Assistant |
| Crew | Louise Seymour | Post Production Supervisor |
| Camera | Ben Jones | Second Assistant Camera |
| Art | Robert Haynes | Standby Art Director |
| Crew | Julian Spencer | Stunt Coordinator |
| Production | Michael S. Constable | Co-Producer |
| Production | Filiz-Theres Erel | Production Manager |
| Art | George W Turner | Assistant Art Director |
| Directing | Simon Hedges | First Assistant Director |
| Camera | Arron Monkman | First Assistant "B" Camera |
| Costume & Make-Up | Karen Hartley-Thomas | Hair Designer |
| Sound | Danny Sheehan | Sound Supervisor |
| Camera | Owen Cant | Second Assistant "B" Camera |
| Art | Frances Pulford | Art Department Assistant |
| Art | Adam Tomlinson | Supervising Art Director |
| Art | Ian Tomlinson | Draughtsman |
| Art | Kaye Kent | Assistant Set Decoration |
| Sound | Martin Beresford | Production Sound Mixer |
| Production | James Player | Location Manager |
| Camera | Matthew Poynter | "B" Camera Operator |
| Camera | Luke Selway | First Assistant "B" Camera |
| Costume & Make-Up | Simon Lewis | Assistant Costume Designer |
| Camera | Bruce Carmichael | Second Assistant "A" Camera |
| Sound | George Fenton | Orchestrator |
| Camera | Sergio Bernuzzi | Key Grip |
| Art | Rachel Garlick | Storyboard Artist |
| Editing | Andrew Jadavji | First Assistant Editor |
| Lighting | Thomas Tann | Electrician |
| Production | Grace Dubruel | Assistant Location Manager |
| Visual Effects | Rob Rowley | Special Effects Supervisor |
| Sound | Matt Davies | Dialogue Editor |
| Sound | Barnaby Smyth | Foley Artist |
| Camera | Oliver Driscoll | First Assistant Camera |
| Sound | Julian Bale | Assistant Sound Editor |
| Costume & Make-Up | Natasha Kutrovacz | Costume Standby |
| Production | Tim Powell | Post Production Accountant |
| Production | Oliver Orlik | Assistant Accountant |
| Production | David Gales | Unit Manager |
| Production | Lian Furness | Location Assistant |
| Production | Emily Orlik | Assistant Accountant |
| Lighting | Paul McGeachan | Gaffer |
| Production | Dave Seward | Unit Manager |
| Production | Ben Frost | Assistant Location Manager |
| Production | Nikita Vyas | Casting Assistant |
| Visual Effects | Vikram Chadha | Visual Effects Producer |
| Directing | Lucy Andrews | Third Assistant Director |
| Lighting | Andrew O'Driscoll | Electrician |
| Sound | Rob Turner | Sound Effects Editor |
| Visual Effects | Sebastian Barker | Visual Effects Supervisor |
| Camera | Núria Pérez | Digital Imaging Technician |
| Lighting | Will Kendal | Best Boy Electric |
| Crew | Robbie Scott | Mix Technician |
| Costume & Make-Up | Emma Rigby | Makeup & Hair |
| Production | Cecily Colahan | Production Coordinator |
| Production | Tian Boyce | Production Secretary |
| Art | Thomas Barratt | Props |
| Art | Callum Haden | Dressing Prop |
| Lighting | Luke Pochetty | Electrician |
| Sound | Tom Melling | Sound Re-Recording Assistant |
| Sound | Julian Kershaw | Orchestrator |
| Art | P.R. Smith | Property Master |
| Art | Bob Charlton | Construction Manager |
| Costume & Make-Up | Richard Cooke | Assistant Costume Designer |
| Production | Sarah Wilson | Casting Associate |
| Costume & Make-Up | Paul Yeowell | Assistant Costume Designer |
| Costume & Make-Up | Filipa Fabrica | Costume Supervisor |
| Costume & Make-Up | Amy Riley | Makeup & Hair |
| Production | Tim Powell | First Assistant Accountant |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Production | Sjors Fiege | Location Assistant |
| Directing | Gemma Nunn | Second Assistant Director |
| Directing | Malinda Kaur | Assistant Director |
| Crew | Steve Roberts | Generator Operator |
| Production | Cory Townsend | Location Assistant |
| Sound | Graham Sutton | Music Editor |
| Costume & Make-Up | Natalie Young | Makeup & Hair |
| Sound | Rob Prynne | Sound Effects Editor |
| Sound | Keith Partridge | Foley Recording Engineer |
| Crew | Jessica Watkins | Mix Technician |
| Lighting | Joe McGee | Electrician |
| Lighting | Tom Hyde | Electrician |
| Sound | Robert Weatherall | Foley Editor |
| Directing | Roger Michell | Director |
| Production | Nicky Bentham | Producer |
| Production | Cameron McCracken | Executive Producer |
| Production | Jenny Borgars | Executive Producer |
| Writing | Richard Bean | Screenplay |
| Writing | Clive Coleman | Screenplay |
| Production | Hugo Heppell | Executive Producer |
| Production | Andrea Scarso | Executive Producer |
| Camera | Mark Jones | Grip |
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