In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
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Camera | Magalí Mérida | Camera Operator |
Camera | Magalí Mérida | Director of Photography |
Production | Magalí Mérida | Producer |
Production | Paula Belli | Casting |
Costume & Make-Up | Romina Gutiérrez | Costume Design |
Costume & Make-Up | Evangelina Perea | Makeup Artist |
Directing | Luciano Giletta | Assistant Director |
Directing | Laura Perovich | Second Assistant Director |
Sound | Melisa Stasiak | Boom Operator |
Camera | Rodrigo Fierro | Camera Operator |
Lighting | Gianni Foschiatti | Gaffer |
Camera | María Riot | Assistant Camera |
Directing | Agustina Comedi | Director |
Writing | Agustina Comedi | Writer |
Editing | Valeria Racioppi | Editor |
Sound | Guido Deniro | Sound Designer |
Art | Martín Paolorossi | Art Direction |
Art | Federico Tapia | Art Direction |
Editing | Ada Frontini | Colorist |
Visual Effects | Bruno Fauceglia | Visual Effects |
Production | Ana Lucía Frau | Production Manager |
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