The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.
Unfortunately the movie Sweetie is not yet available on Netflix. Follow us on Facebook to see when Sweetie becomes available on Netflix!
| Writing | Jane Campion | Screenplay |
| Directing | Jane Campion | Director |
| Costume & Make-Up | Wendy Freeman | Makeup Artist |
| Sound | Leo Sullivan | Sound Recordist |
| Costume & Make-Up | Howard Regner | Hairstylist |
| Art | Martin Say | Assistant Art Director |
| Art | Jennifer Kernke | Assistant Art Director |
| Sound | John Dennison | Sound Supervisor |
| Costume & Make-Up | Melinda Trost | Wardrobe Assistant |
| Visual Effects | Roger Cowland | Visual Effects |
| Sound | John Dennison | Sound Mixer |
| Directing | John Fretz | First Assistant Director |
| Production | Jane Campion | Casting |
| Production | Patricia L'Huede | Production Manager |
| Costume & Make-Up | Nicole Sorby | Assistant Makeup Artist |
| Production | Don Colantonio | Assistant Production Manager |
| Directing | Tina Andreef | Second Assistant Director |
| Directing | Trudi Billsberry | Third Assistant Director |
| Art | Jennifer Kernke | Standby Property Master |
| Writing | Jane Campion | Original Story |
| Art | Peter Munro | Art Department Assistant |
| Sound | John Dennison | Foley Recordist |
| Sound | Mary Dennison | Sound Effects Editor |
| Sound | Pamela Dunne | Sound Effects Editor |
| Lighting | Jamie Egan | Gaffer |
| Camera | Felicity Surtees | Focus Puller |
| Camera | Regis Lansac | Still Photographer |
| Sound | Liz Goldfinch | Dialogue Editor |
| Crew | Bernard Ledger | Stunts |
| Camera | Phil Stainer | Grip |
| Sound | Tony Vaccher | Sound Mixer |
| Art | Peter Long | Title Designer |
| Sound | Raj Oakley | Assistant Dialogue Editor |
| Camera | Richard Bladel | Assistant Grip |
| Crew | Hilary Linstead | Thanks |
| Editing | Arthur Cambridge | Color Grading |
| Directing | Lynn-Maree Danzey | Continuity |
| Production | Tina Andreef | Casting Assistant |
| Production | Christopher Gill | Production Runner |
| Editing | Jane Cole | First Assistant Editor |
| Crew | Ken Cameron | Thanks |
| Crew | Chris Noonan | Thanks |
| Writing | Billy MacKinnon | Script Editor |
| Crew | Colin Englert | Thanks |
| Camera | Jane Castle | Camera Operator |
| Production | Sam Thompson | Production Coordinator |
| Crew | Charles Abbott | Thanks |
| Crew | Neil Armfield | Thanks |
| Sound | Sue Kerr | Boom Operator |
| Sound | Tony Vaccher | Sound Effects Editor |
| Camera | Michael Kelly | Clapper Loader |
| Writing | Gerard Lee | Screenplay |
| Production | John Maynard | Producer |
| Sound | Martin Armiger | Original Music Composer |
| Production | Billy MacKinnon | Co-Producer |
| Editing | Veronika Jenet | Editor |
| Art | Peter Harris | Art Direction |
| Camera | Sally Bongers | Director of Photography |
| Costume & Make-Up | Amanda Lovejoy | Costume Design |
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